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Wednesday, February 27, 2019

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How to Train Your Dragon 2

Ehrentitel	How to Train Your Dragon 2 2014
Geltungsdauer	192 minuziös
Verzicht	2014-06-09
Eigenschaft	MPEG-1 720p HDTV
Gattung	Fantasy, Action, Adventure, Animation, Comedy, Family
Jargon	English
castname	Navina H. Mélika, Aleah L. Homayra, Rylan C. Alania

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If you loved the first How to Train Your Dragon, you'll absolutely love this movie. If you are a frequent user of Tumblr, you'll want to capture SO many moments in .gif format. If you've never seen the first movie, you'll still love this movie, or at least, like it.

Essentially, this movie is great. It has all that a child could desire in a film (trust me, the kids in the theatre LOVED it - it was super cute) and it also had some absolutely hilarious moments for the adults. The plot is pretty good; even if it is predictable, it's predictable in a way that works. The animation is gorgeous. The voicework is awesome. The way all of the characters have grown over the 5 year gap between the two movies in the series was really well done and evident, not just in appearance, but also in their personalities and interactions with each other.

In any case it was a lot of fun! Go watch it, even if you don't have kids.
Like I said a couple of year ago during 'Cloudy with a Chance of Meatballs 2' review, it's a terrible title for a sequel. The host, Neil Patrick also said the same thing during the 2015 Oscars. But in the digital world, slight change in the title makes random in order. I mean on the computer and web world, it won't show in order. Even sometime it might get lost in a vast number of other titles if they dare to chance the first word in the title for a sequel. Other than that they are not stupid as many people think. That's why they highlighted 'Dragon' boldly than the rest of the words.

This part two was not much different to its first. The story continues five years after Hiccup recovers from his injury. He and his pet, Toothless discovers a new land during the survey for the map. So their's adventure begins, but end in a trouble and forces all his people from the town to involve and fight against the rising evil force that tries to conquer them all.

Like I always say, those days are gone, now animated movies are for all ages. This was a very nicely and carefully written screenplay, did not fail to deliver. Very close to the impact the first movie made, but due to simplicity it stayed a couple of steps behind. Developed well with a bit of suspense, thrill and entertainment. Nothing more we could have asked, a perfect follow-up and hoping to explore beyond lot more in the upcoming movies in this series. Four years gap between the movies is a nice idea and fine breathing space for this franchise fan. A movie must be seen by animation fans, especially if you have already seen the first then don't miss it.

8/10
The first one was good and the second is not any worse.

This series is standing out of the pack for its complex plot involving several topics, not just the typical ones in an animated movie. Arguably, they have been also treated in former movies; two main characters which are crippled (Finding Nemo ...), greater involvement of strong female roles (although, still, not as main characters and utterly in need of help from the male roles), ecology, etc.

The points I dislike the most is the speech of homeland being the good "peacekeeper" nation forced to use violence to keep it (peace). Quite hypocritical but, clearly, addressed to the US audience.

The repetitive line of story about the (nerd) hero who is the only one to save the world is quite tiresome too.

Finally, how lightly some other traumatic causing topics are treated: finding that a parent abandoned their child, death, etc ...

In any case, this is a good movie, funny and with an interesting story. Worth watching for a franchise that, I think, doesn't have all the attention it should have.

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Teri Meri Kahaani

Anrecht	Teri Meri Kahaani 2012
Geltungsdauer	112 Besprechungsprotokoll
Freisprechung	2012-06-22
Beschaffenheit	Dolby Digital 1440p WEBrip
Gattung	Comedy, Drama, Romance
Fachsprache	हिन्दी
castname	Charest Q. Ashayla, Dereck F. Sage, Danni N. Roxann

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Long Forgotten Fields

Bezeichnung	Long Forgotten Fields 2017
Zeitdauer	145 Konzept
Freigabe	2017-11-17
Güte	MPG 720p DVD
Gattung	Drama, War, Drama
Jargon	English
castname	Hafssa T. Tenesha, Tougas V. Point, Julio X. Huerta

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Interior

Titel	Interior 2014
Zeitdauer	188 minuziös
Kinostart	2014-10-26
Güte	AVCHD 720p WEBrip
Genre	Horror, Thriller
Sprache	English
castname	Luisa F. Littré, Swati Q. Maddie, Ilay K. Hobbs

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Ter – Wikipedia ~ Der Ter teɾ ist ein katalanischer Fluss in der Comarca Ripollès Katalonien Er entspringt in Ull de Ter auf einer Höhe von 2480 msnm am Fuße eines Gletschers nahe der Ansiedlung 208 km mündet er zwischen den Orten L’Estartit und Pals südlich von Torroella de Montgrí ins Mittelmeer Zwischen den Comarcas Osona und Selva befindet sich das Talsperrensystem Sau

Total Expense Ratio – Wikipedia ~ Internationale und nationale Bedeutung Die Kennziffer geht auf das britische FondsResearchUnternehmen Fitzrovia heute Fitzrovia Lipper zurück das 1993 begann die Kosten für weltweit 40000 Investmentfonds zu untersuchen Seit 2004 schreibt § 41 des deutschen Investmentgesetzes vor dass Investmentgesellschaften die Gesamtkostenquote TER in Prozent anzugeben haben

MarcAndré ter Stegen – Wikipedia ~ Vereinskarriere Borussia Mönchengladbach MarcAndré ter Stegen spielte seit Juli 1996 bei Borussia Mönchengladbach und durchlief dort die gesamte Jugendabteilung Im Jahre 2009 unterzeichnete er einen Profivertrag Bevor ihn Gladbachs damaliger Trainer Lucien Favre zur neuen Nummer 1 der ersten Mannschaft machte hatte er als Stammtorhüter in der zweiten Mannschaft gespielt

Volker ter Meulen – Wikipedia ~ Volker ter Meulen r 1933 in Osnabrück ist ein deutscher Mediziner Er war von 2003 bis 2010 Präsident der Deutschen Akademie der Naturforscher Leopoldina – Nationale Akademie der Wissenschaften und ist durch Pionierarbeiten in der Neurovirologie bekannt

Alstom Coradia A TER – Wikipedia ~ Die Fahrzeuge der Bauart Alstom Coradia A TER auch unter dem Spitznamen „Walfisch“ bekannt sind einteilige Entwicklung begann als Gemeinschaftsprojekt der Deutschen Bahn AG und der französischen SNCF mit den Schienenfahrzeugherstellern De Dietrich Ferroviaire und wurden arbeitsteilig von diesen heute als Alstom Transport Deutschland und

Costcenter – Wikipedia ~ Costcenter auch CostCenter ist eine aus dem englischen cost center übernommene Bezeichnung für eine eigenständige Unternehmenseinheit business unit die normalerweise ein Budget zur Verfügung hat um ihre Ziele zu erreichen In dieser Bedeutung kann ein Costcenter eine oder mehrere Kostenstellen umfassen ist aber nicht synonym zu verstehen Allerdings wird Costcenter in anderen

Prompter – Wikipedia ~ Der Prompter auch Teleprompter englisch für „Souffleuse“ von lat promptus „entschlossen bereit“ manchmal auch Autocue Markenname der gleichnamigen englischen Firma ist ein technisches Hilfsmittel das vor allem bei Fernsehproduktionen seltener bei Filmproduktionen sowie Vorträgen und Reden verwendet wird um beim Zuschauer den Eindruck von Blickkontakt und freiem Sprechen

MACFilter – Wikipedia ~ Ein MACFilter ist ein NetzwerkZugangsschutz der nur Geräten mit bestimmter MACAdresse Zugang zum Netzwerk gestattet Typischerweise wird ein MACFilter in einem LAN oder WLAN angewandt und in Form einer Tabelle im Router MACFilter gilt aus verschiedenen Gründen als ein sicherheitstechnisch schwacher Zugangsschutz

Sister Sledge – Wikipedia ~ Biografie Zu Beginn der gemeinsamen Karriere sangen die Schwestern gaben sich zunächst in Anlehnung an das Dasein ihrer Großmutter Viola Williams als Opernstar den Bandnamen „Mrs Williams Grandchildren“ und absolvierten Auftritte auf verschiedenen Partys Anfang der 1970er Jahre erfolgte die Umbenennung in „Sister Sledge“

Profitcenter – Wikipedia ~ Das Profitcenter ist ein organisatorischer Teil eines Unternehmens für den ein eigener Periodenerfolg ermittelt wird Das Profitcenter kann auch aus einer Spartenorganisation heraus entstehen Verantwortung und Entscheidungsbefugnis für die Produktgruppen werden in hohem Maße den Spartenleitern übertragen

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Tuesday, February 26, 2019

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The Hateful Eight

Buchtitel	The Hateful Eight 2015
Dauer	123 minuziös
Verzicht	2015-12-25
Eigenschaft	FLV 720p WEB-DL
Gattung	Crime, Drama, Mystery, Western
Fachsprache	Español, English
castname	Marvin K. Aliza, Dereck Y. Kady, Romie W. Clint

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The Hateful Eight is an epic film. Epic the way Ben-Hur was epic. It’s filmed on rare Ultra Panavision 70. The film crew altered Modern cameras to work with UP70. Quentin Tarantino knew there were two types of film viewers. Those who would see his film as he intended and those who would not. Tarantino isn’t an idiot and knows people will pirate his and watch it on devices he can’t control [Note 1]. To combat this Tarantino made a version of the film which requires viewing in a theatre. He did this with the 70mm roadshow production of The Hateful Eight.

The roadshow production of The Hateful Eight is a great experience. I was born in 1981, after roadshow theatrical releases fell out of popularity so I’ve never experience a roadshow theatrical release. Roadshow theatrical releases were (or are) a limited engagement showing of a movie before general release. The Hateful Eight’s roadshow includes a beautifully produced souvenir program — already available on Ebay. The lights go out fifteen minutes prior to the film starting and no previews are shown. Roadshows aren’t their to advertise. Their purpose is to wow you with The Hateful Eight in 70mm.

I was only eleven when Reservoir Dogs was released and thirteen when Pulp Fiction was released. Arguably, a little too young to watch these films. Although I knew what sex was and how it worked, My young mind didn’t know about paraphilia or unusual sexual interests. I don’t think I even had a working idea of how homosexual sex worked. This would have made watching scenes from Pulp Fiction rather difficult for me at that age. [Note 2]
Unlike many, I saw Reservoir Dogs before Pulp Fiction. Although I like the editing style of Pulp Fiction, I think Reservoir Dogs is a better film. What makes Reservoir Dogs great is the lack of financing. Financial constraints didn’t limit Tarantino and Reservoir Dogs is dialogue heavy with very impactful scenes revolving around a single location: The Warehouse.

The high-level idea of The Hateful Eight, Quentin Tarantino’s Eighth film, which implies the title is deliberate, is about a bounty hunter escorting a prisoner (the only female in the film) to “hang by the neck until they are dead” in Red Rock. However, a blizzard prevents the prisoner from reaching the final location and the prisoner along with eight others are stuck in a single room: Minnie’s Haberdashery.

The Hateful Eight is filmmaking at it’s finest. Like Reservoir Dogs it could have been a theatrical production. It didn’t have to be a movie. If there are special effects they aren’t noticeable. There is violence and blood, which you expect, but comparing to other Quentin Tarantino’s films it’s tame. There is no dancing to a radio tune while Michael Madsen conducts a horrific act. But, the strongest story-telling scene will stick with you. A flashback overlaid with a monologue performed by Samuel L. Jackson that demonstrates the artistic ability of Tarantino. The editing between Major Warren’s narrative and what General Smithers envisions can only be told with film. The scene contrasts the alluring story with the distasteful act. A compliment to the editor who doesn’t pull you out of the monologue, but enhances it.
I’ve only seen, read, or heard a few interviews with Tarantino, but I don’t get the impression he does anything on accident. Tarantino puts too much thought into his ideas and works. When Bret Easton Ellis interviewed Tarantino he stated:

> My scripts are meant to be read.
> [The Bride] has stashed all this shit in the ground. So, she is going to dig a hole and pull up a footlocker and it will have passports, money, and weapons. All the things she will need for her revenge. But, the way I have it written in the script is she needs to find a rock and turn it over to find an ‘X’ on the rock. She turns over the rock and finds the ‘X’.
>
> If the ‘X’ hadn’t have been there or if she couldn’t have found rock, she would have taken it as a sign that her revenge never should happen and she would have dropped the whole idea.

These are things you can’t show on film.

You get this same type of feeling when watching The Hateful Eight. It is hard to imagine that Tarantino didn’t have a few one-on-one days with each actor explaining to their character’s fully-developed backstory which isn’t depicted in the film. Only additional viewings will explain each characters motives.

Many of my college friends who enjoyed Kill Bill Volume One didn’t like Kill Bill Volume Two even though Kill Bill Volume Two is the stronger of the two films. The reason? The dialogue. The dialogue is the best part of The Hateful Eight. Although The Hateful Eight is three hours long you don’t feel it. The film engrosses you with the characters, their conversations, and the conflict between them. The acting is superb.

My wife said that this is her favorite Quentin Tarantino film. I don’t know if I disagree and although Reservoir Dogs holds a special place with me, The Hateful Eight is a much more mature film. Tarantino has had 23 years to perfect his craft and it shows. Although I liked Django Unchained, it isn’t as good as The Hateful Eight.

The Hateful Eight may be one of the better films I’ve seen in the past few years.

_Note 1: Mark Z. Danielewski’s House of Leaves is a piece of art as much as a novel. But, there isn’t a digital version. This is deliberate. Danielewski can’t determine a way for readers to digitally consume the book. Contrary to what you expect, this control is more easily achieved with print than film._

_Note 2: Like all Quentin Tarantino’s movies, The Hateful Eight isn’t for children. Quentin Tarantino is great because of his dedication to his art. Tarantino made a purposeful choice to not have a relationship or children because it would affect his art. I wonder if his decision is partially due to discussions around the dinner table about what Daddy does without showing them. I don’t know if Tarantino has actually thought about the ramifications of raising a child in the dark to his art until a certain age. Maybe he hasn’t. But, If I was in his shoes, I would have internal conflict about not wanting to twist my kid’s minds until they were of age to deal with my creations. But, I am probably projecting._
The hateful eight is well directed, good photography and has a great OST, with a good melody from Ennio Morricone (although it is just that, not much more) and, as usual, well selected songs by Tarantino.

The best of the movie is its cast, with the exception of Michael Madsen which I think is terrible but Tarantino seems to love. As usual, good performance by Samuel L. Jackson and superb ones by Kurt Russel and Jennifer Jason Leigh. Tim Roth makes a great role in a character that seems as if it was made for Chistoph Waltz, though. IMHO, the best performance is from Walton Goggins, though. A usual secondary which has the chance in this movie to be more than just that.

All in all, a Tarantino movie with what you would expect from one of his movies.

But ... the problem is precisely that there is everything to be expected, but nothing else. The typical long and witty dialogues. The typical stories and anecdotes distracting the viewer attention from the important happenings ongoing, but just that. Hence, this movie stays half way to be a really good movie and it remains just a enjoyable movie, without much more expectations.
> ...And then there were none.

I'm neither Tarantino nor Nolan's fan, but love watching their movies. As usual these director's films are highly expected by all, that's including me. This one started off quite like a normal western, so I thought it wouldn't be like the director's previous film 'Django Unchained'. In fact, it was considered for a sequel to that, but the director felt this story and the previous character Django failed to blend, hence 'The Hateful Eight' was born with Samuel L. Jackson playing an important role.

Solid eight from me for this QT's eighth film. But I felt the movie was kind of inspired by 'And Then There Were None'. It was not about to find who's the killer or next to be killed. The character introductions were at its best and an excellent twist in the middle. This sets in a cabin with eight strangers struck there after the snowstorm. But after an unexpected event the suspicious started to mount and brings chaos. Then takes us to the flashback to reveal something the story that did not mention in the earlier part which's very essential for coming back to the finale.

The 80% of the movie was just talking, but the remaining stunt sequences were so powerful. All the eight, plus, supporting character were exceptional, but the director's favourite Samuel L. Jackson nailed it as his character is a bit above from the rest. The entire film was shot is a couple of locations, but the major portion takes place in a cabin and it was a limited cast movie. These days, western movies are shrinking, only a very-very few good movies are made every year. In the time of superheroes, a movie like this is really very precious, so definitely recommend it.

8/10
Marmite at Minnie's Haberdashery.

Quentin Tarantino writes and directs and it stars Samuel L. Jackson, Kurt Russell, Jennifer Jason Lee, Walton Goggins, Tim Roth, Micahel Madsen, Demian Bichir and Bruce Dern. Music is scored by Ennio Morricone and cinematography by Robert Richardson.

Wyoming, wintertime, and an assortment of suspect characters are holed up at Minnie's Haberdashery while a blizzard rages outside. Soon enough suspicions and ugly human traits come to the fore...

Tarrantino is on a Western/Southern/Oater/Civil War kick these days, here following on from Django Unchained, this is set just post the Civil War. Proudly homaging genres he loves, he throws all his trademarks at The Hateful Eight for glorious results - that is on proviso you happen to be a fan of his in the first place.

Picture is split into two halves. First half sets up the characters who come to be at Minnie's, the conversations are pungent with Tarrantino's caustic and comedic writing, the characterisations equally so, whilst we have been treated to some absolutely gorgeous Colorado vistas. There's a constant sense of mistrust in the air, while racism, misogyny and political fall outs pulse away in set up scenarios.

Then it's the second half, where after a wee bit of narration that had me thinking my Blu-ray player had somehow started playing The Assassination of Jesse James by the Coward Robert Ford, hell then comes to Minnie's! It quickly becomes evident we have been part of a Tarrantino parlour game, a game of Clue - cum - Ten Little Indians, only in a Wild West setting, and with blood, bones and bile in full effect.

The whole thing is wonderfully stylish in the way that Tarrantino is known for. The cartoonish horror mingles with more biting observations on humanity, the violence shocks to get a reaction from the viewer, for better or worse, and always there is humour, where Hateful Eight proves itself to be one damn funny film.

Morricone scores it as cartoon horror with Western strains, and it's magnificent, it sounds like the evil twin to his score for The Untouchables. The cast are super (though a couple of them are not given much to do), with Leigh standing out, and Messrs Jackson and Russell hold glorious excessive court. Costuming is most appealing, as is the set-design for Minnie's. And director QT? Well he does his thing, chapters and verse and playful filmic cunning. 9/10
The Hateful Eight is Quentin Tarantino's eight film. Inspired by John Carpenter's movie, The Thing. We even have Kurt Russell mentioning going without sleep. However despite all the talking and there is a lot of chatter between some hateful people, it is an Agatha Christie style thriller.

In a snowbound post civil war wild west, Kurt Russell is bounty hunter John Ruth better known as the Hangman. He brings his bounty back alive so they can hang.

Ruth is taking back Daisy Domergue (Jennifer Jason Leigh) a female captive with a big reward on her. He meets Major Warren (Samuel L Jackson) another bounty hunter and they decide to ride together to town and meet the new Sheriff who is due to show up.

A blizzard means they have to stop at an inn. Holed up in the inn is Bruce Dern's confederate General Smithers, a bitter racist trying to find out the fate of his son.

Also there is Tim Roth's Mobray on his way to the same town as the Sheriff to be their new hangman. There are several other people hanging around the inn. Ruth is convinced that someone is not what he claims to be and is nervous.

The film has a lot of talk with suspicious, shifty people rubbing everyone up the wrong way. Tarantino wants the viewer to get complacent and then suddenly bang! He then shows you his hand.

The Hateful Eight is a twisted film with Tarantino's dark humour, mean characters and violence. However it is overlong and a mystery that might be too slow before it gets going.
***Creative Western whodunit is an amusing black comedy, but also profane and repugnant***

RELEASED IN 2015 and directed by Quentin Tarantino, "The Hateful Eight" is a Western about a cruel bounty hunter (Kurt Russell) taking an outlaw woman (Jennifer Jason Leigh) in to Red Rock, Wyoming, to hang. Along with a black bounty hunter (Samuel L. Jackson) and the new Sheriff of Red Rock (Walton Goggins), they hold up at a rural haberdashery during a blizzard with several dubious characters (Tim Roth, Demián Bichir, Michael Madsen, Bruce Dern and Channing Tatum). Dana Gourrier and Zoe Bell appear in small roles.

This was Tarantino’s second Western in a row after 2012’s “Django Unchained,” which ranks with the best Westerns of all time. This one’s not as good, but it certainly has its points of interest, like the great wintery wilderness atmosphere, which is to die for. Moreover, the plot is intriguing. It's basically an Agatha Christie whodunit a la Murder on the Orient Express transferred to the Old West. Roughly 90% of the film takes place in the haberdashery and, less so, a stagecoach. It's basically a theater play masquerading as a movie and I found it a unique setting for a Western.

The movie starts out with spectacular Colorado winter cinematography highlighted by an excellent Ennio Morricone score, his first full-length score in over three decades (!). Compelling extended dialogues have always been Tarantino’s strong suit; and so it is here. The amusing melodramatics are entertaining and the story keeps your interest despite the one-dimensional setting. Everything’s SO exaggerated that you can’t take it seriously. The movie’s intentionally offensive and you have to roll WITH the excesses to be entertained; otherwise you’ll hate it.

On at least one occasion the overindulgences don’t work, like the disgusting fellatio sequence. I get that Marquis (Jackson) was lying to the other guy to compel him to draw, but we didn't need a visual on his fabricated story. It's sordid excess that has no place in a Western or any other movie, except gay porn, but Tarantino obviously included it in order to be "edgy" or whatever.

The excellent opening with the figure of Christ dying for our sins keys off the theme, which is humanity’s fallen condition and dire need of redemption. The title, “The Hateful Eight,” is a perversion of “The Magnificent Seven.” The latter celebrates the noble and heroic whereas this movie parodies the base and odious. Tarantino is poking fun at our petty hostilities that separate us based on race, gender, sectionalism, faction-ism, envy and rivalry. Furthermore, men divided by hatred of culture and race can unite in hatred of something else, in this case misogyny.

THE FILM RUNS 2 hours, 47 minutes.

GRADE: B

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Avengers: Age of Ultron 2015 online stream

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Avengers: Age of Ultron

Buchtitel	Avengers: Age of Ultron 2015
Zeitdauer	151 Besprechungsprotokoll
Entlassung	2015-04-22
Eigenschaft	AVI 1080p DVDrip
Buchgattung	Action, Adventure, Science Fiction
Sprache	English
castname	Ophelie W. Truchon, Tyga W. Lylia, Placide X. Jalbert

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There is a lot going on in this movie but it all just seemed kind of pointless and dull to me. Every now and then there would be a good scene or piece of dialogue but for the most part I felt myself getting bored and reaching for my phone to play Cribbage. I guess what I didn't like most is that it all felt like a big filler episode instead of an action packed character driven story arc.
Action, good Fx and a "not-completely-absurd" story. The actors perform well and you can identify them very well with their characters ... but it is all old and without imagination.

I suppose nobody was expecting anything else, though ...
This is another one of those movies that you watch primarily for the special effects with you favourite super heroes slugging it out. It is a classical Hollywood product where the story is mostly there just as a vehicle for allowing the special effects team to do their business. As such it is a success.

The movie starts of with a display of action and the afore mentioned special effects with an attack by the Avengers on a bad guy stronghold. Not surprisingly the events sows the seeds for things to come.

The movie starts off with quite an interesting story idea with the activation of Ultron. However, once he materializes as a physical entity, it became a bit of seen that, been there and done that. Ultron just turns into yet another “standard” comic book villain a’ la Megatron running around trying to look intimidating while implementing his diabolical scheme. Okay, there was a bit of originality here and there but with the good start I kind of expected a wee bit more.

Having said that, the movie does indeed fulfil its purpose of showing off a bunch of super heroes slugging it out in a flurry of special effects and, although the story idea was perhaps not used as intelligently as I had hoped, it is not bad (for this kind of movie of course) and hangs together pretty okay. Sure, it is somewhat contrived and the means by which Ultron tries to exterminate humanity is overly complicated but it is still a decent story.

Overall the movie was entertaining and provided the necessary special effects and super hero fix for those who are inclined to enjoy those kind of movies. I certainly am and, not surprisingly, the kids liked it as well.
**A long form review originally posted in 2015:**

I’ve just returned from two back-to-back viewings of _Avengers: Age of Ultron_, and I do not regret one bit going in for that second helping.

I lost my steam on the _Age of Ultron_ wagon at a very inopportune moment. About three days before it came out. I was so heavily anticipating it for such a long time, that I was actually much more excited to see this movie when it was still two months away than I was waiting in line to get into the cinema it was playing at. The combination of the market-saturation and the fact that the _Ultron _hype-train has been running for literally years, with a first trailer dropping seven months before the damn thing came out, meant I got weary of the thing just a fraction too soon. But I’m a sucker for the MCU, and there was no way I was missing the sequel to my favourite superhero movie of all time.

I won’t harp on too much, because I don’t want to spoil anything (especially given that the movie isn’t even out in most parts of the world), I will put out a spoilertalk on this blog at some point down the line, but for now just let me leave you with a couple of quick thoughts.

_Age of Ultron_ is not the best film of all time. It’s not the best superhero film of all time, it’s not even the best MCU film. Honestly, I personally feel it’s not even the best MCU Phase 2 film. But it is still good. And that’s what’s important here. But what do I mean by that?

Well, for starters, in and of itself, I loved it, a breach past an 80% approval rating from me is no small thing. The things we enjoyed from the first _Avengers_are here. The mesmerising action spectacles of course, but I more mean the character moments we got between the Avengers themselves, that was my favourite part of the first film and we get it here again in spades.

Every new thing Joss has added to the plate works splendidly as well, real Hawkeye story, new heroes, a new villain, an updated world, all of these things are big ticks in lots of boxes.

So if everything from _The Avengers_ works and everything they’ve added works great too, why is _Age of Ultron_ not a perfect film? For spoiler-free purposes I will not go into detail, but that’s okay because the answer is quite simple: Everything in _Age of Ultron_ is great. It’s what’s not in _Age of Ultron_ that’s the problem.

Joss Whedon said that the film had to be cut by nearly an hour. That way you get more showings in, and that means more money. Now I’m not saying we need every minute of that hour back, but what we ended up being left with, was just enough for _Age of Ultron_ to be the _Thor: The Dark World_ of the _Avengers _franchise (it was a far superior film to _Dark World_, but hear me out). _Age of Ultron_ is little more than a holding pattern. The set-ups for future films take up too much time for the story to bear the weight of some actual story, but everything that occurs in the film itself somehow also has virtually no consequence on world it is a part of. I can’t say it more plainly than that: It’s a holding pattern. It introduces some stuff, but it doesn’t stand alone the first film did. It’s not such a big deal when the solo-movies do that (like the aforementioned _Dark World_) because we have _The Avengers_ films for those to pay off in. But when an _Avengers_ entry is just more of the same, I can’t fully get behind it.

That all said, _Age of Ultron_ is of course a lot of fun. A huge amount of fun, I can’t state that enough. And there’s literally nothing more important something in the entertainment industry can be. These are just the things holding it back from taking it up to the next level (or if I’m being completely honest, even taking it to the level the first film was at).

75%

-_Gimly_

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The Equalizer 2014 online stream

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The Equalizer

Anrecht	The Equalizer 2014
Dauer	116 Konzept
Entladung	2014-09-24
Eigenschaft	AAF 720p TVrip
Gattung	Thriller, Action, Crime
Jargon	English
castname	Nicole H. Boby, Sosno Q. Persis, Leara X. Bonami

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Watched the movie last night, kept me interested although somewhat predictable plot. Big bad guy, quiet good guy, helpless victims, bad guy gets his. Overall I did like the movie, but then again I like anything Denzel is in.
For me this was a very entertaining vigilante flick. Denzel Washington is excellent in his role as a cold and calculating yet compassionate vigilante. The movie is slower than a lot of movies in this genre but that does not make it boring and when the action starts it is measured (for a movie in this genre) and well done.

Although there is a red thread, started by McCall’s first act of vigilantism, running through the movie he also performs a few on the side jobs as well during the movie. I like the vigilante stuff so for me this was some nice fillers to round off the movie.

The main thread pitches McCall against a real psychopathic Russian enforcer. No one can say that this movie did not have a well done bad guy. The role is quite well played. The guy is creepy to say the least. Not to mention violent of course but then so is McCall when the time is right.

One thing I liked with this movie is that McCall it is not one of the usual run around, look dangerous and clobber the bad guys in periodic outbursts of violence stereotypes. McCall is always calm, calculating, behaving intelligently and the baddies almost never realizes the mistake they just did until it is quite a bit too late.

Sure, the capacity of McCall to clobber the bad guys, usually without getting hurt himself, is bordering on superhuman but what the heck, it is fiction after all. Totally realistic movies are rarely fun, at least not movies of this genre. Also, the end fight where the baddies are more or less running around aimlessly and get taken out could have been better. Especially since the Russian mobster had shown quite a bit of intelligence up until that point. Having said that, I did like that it did not degenerate into the usual 20 minute shoot anything that moves nonsense. McCall is continuing his cold and calculating rampage through the unfortunate individuals on the wrong side and the various ways of disposing of them are rather creative.

On the whole I found this to be a rather entertaining movie. In one sense it is the usual vigilante stuff, which I happen to like, but in one sense it is not your normal run of the mill vigilante movie thanks to Denzel Washington’s cold, calculating and intelligent portrayal of McCall.
Expected pretty good, got very good. Can't call _The Equaliser_ a perfect movie, but I love me a mixed bag of content like this.

_Final rating:★★★½ - I really liked it. Would strongly recommend you give it your time._

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