Sunday, March 31, 2019
The Ravine of Goodbye 2013 online stream
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The Ravine of Goodbye 2013 | |
Dauer | 199 Minute |
Entladung | 2013-10-15 |
Eigenschaft | MP4 1440p TVrip |
Genre | Drama |
Jargon | 日本語 |
castname | Castro S. Wong, Mitul O. Darisha, Kurtz H. Bédard |
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Blue Exorcist: The Movie 2012 online stream
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Blue Exorcist: The Movie 2012 | |
Zeitdauer | 197 winzig |
Freilassung | 2012-12-28 |
Eigenschaft | DTS 1080p TVrip |
Genre | Animation, Fantasy, Mystery, Horror |
Ausdrucksweise | 日本語 |
castname | Viggo T. Dwij, Dhruti H. Nala, Melody H. Shawana |
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The Legend of Tarzan 2016 | |
Zeitdauer | 154 Memorandum |
Erlösung | 2016-06-29 |
Güte | MPEG 720p DVDScr |
Buchgattung | Action, Adventure |
Sprachfähigkeit | English |
castname | Rivera G. Weeam, Pécaut D. Margery, Saffah L. Branden |
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**Yep, this is a different Tarzan, an updated one.**
Recently the Indian jungle boy, the live-action Mowgli film was made and so its time for Africa's. This is not a Disney film and that's one of the disappointments for the Tarzan fans. Because this film is for the grown-ups only. It is rated PG13, but still I don't think the children would enjoy it like they did for the recent 'The Jungle Book' film. So it is like a DC film, I mean, DC makes superhero films for the grown-ups, unlike Marvel's. The bottom line is, don't expect it to be like a Disney film. Like the director said before the release, this is not the Tarzan from your father, grandfather's era, but an updated one with strong graphic violence.
So the story skips all the Tarzan's earlier life like from his childhood to adulthood parts. The film commences with Tarzan being settled in the UK. It's the second half of the 19th century, where the European colonies in the Africa are expanding for its rich natural resources. So in the Congo savanna, the natives welcome Tarzan for his short visit, but the things get ugly when his wife, Jane was kidnapped. Now he must fight back for her safe return and also avert other threats in the region from the foreign power.
There are many CGI character films were made at the recent time, it is a trend, but not all of them are impressive. This film looked average when it comes to vfx. The story was acceptable, the performances were decent, the casting too not bad, but Samuel L. Jackson was completely useless. He's one of the greatest sidekick Hollywood ever produced, but I don't know why he's in this project, his role was very silly.
In other hand, Alexander Skarsgard was good in the lead character and so Margot Robbie as Jane. The action sequences were not good as I expected. The film had a good runtime, but in some parts, it was slow or maybe you can say nothing interesting thing happens. I liked the idea, to update the theme, but they should have given more focus on the story. I hope if they plan another film, it should be a prequel. Because I feel there's lots to learn about the past than going forward. This is a one time watchable film, there's no surprises, just plain and partially entertaining.
_6/10_
This was the most underwhelming Tarzan movie that I have ever seen. A typical product of some Hollywood producer trying to make a "modern" take of Tarzan not really knowing or caring for the Tarzan that Edgar Rice Burroughs created.
In particular it was the palest and most underwhelming Tarzan character yet. He never radiated the strength nor the intelligence that Edgar Rice Burroughs attributed to his character. He spent most of the movie going around with a bland look on his face.
The story itself is pretty much an out of the box standard Hollywood story about slavery and abuse of the black African population. Not truly bad but nothing to write home about either.
There is a lot of CGI in the movie and although quite a few reviewers seem to consider it bad I personally though it was pretty okay. One of the few decent bits of the movie.
I truly do not understand that they had the nerve to call this movie The Legend of Tarzan since it really is pretty far from the legend of Tarzan that Edgar Rice Burroughs created. This movie would perhaps have been okay as a one hour episode in a Tarzan TV-show but as a high budget feature movie it simply does not cut it. I was quite disappointed.
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Wild 2016 online stream
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Wild 2016 | |
Dauer | 119 minutiös |
Befreiung,Entbindung | 2016-04-14 |
Güte | WMV 1080p BRRip |
Buchgattung | Drama |
Jargon | Deutsch |
castname | Jérémie N. Ashana, Matheo J. Élise, Botond S. Choi |
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Flammenionisationsdetektor – Wikipedia ~ Detektor WLD FID NPD ECD MS Nachweisgrenze 1 µg 1 ng 10 pg 1 pg bis zu 1 fg Die Nachweisgrenze ist neben der Dosiermenge auch von der zu analysierenden Substanz abhängig
Elementaranalyse – Wikipedia ~ Geschichte Organische Elementaranalyse Die ersten Apparaturen für eine organische Elementaranalyse wurden von Antoine Laurent de Lavoisier entwickelt Joseph Louis GayLussac und Louis Jaques Thénard verbesserten die Apparatur deutlich die Apparatur wurde verkleinert und als Oxidationsmittel wurde Kaliumchlorat später auch KupferIIoxid mit Döberreiner um 1815 eingesetzt zur
SpearheadKlasse – Wikipedia ~ Die Schiffe der SpearheadKlasse gehören einem von Austal für die USMarine neu entwickelten Schiffstyp mit der Bezeichnung Joint High Speed Vessel kurz JHSV an Im September 2015 hat die USMarine entschieden Schiffe des Typs JHSV in Zukunft als Expeditionary Fast Transport EPF zu bezeichnen
Stephan Burger – Wikipedia ~ Leben Stephan Burger wuchs in Löffingen auf Er hat zwei Brüder und eine Schwester Sein Bruder Tutilo Burger OSB ist seit 2011 Erzabt der BenediktinerErzabtei Beuron Nach dem Besuch der Grundschule und Realschule wechselte er auf das Internat Hersberg in Immenstaad am trat in das Collegium Borromaeum das damalige theologische Konvikt in Freiburg im Breisgau ein und
Edward Teller – Wikipedia ~ Als die Sowjetunion 1949 eine Atombombe zündete kündigte USPräsident Harry S Truman ein Schnellprogramm zur Entwicklung der Wasserstoffbombe an Teller kehrte daraufhin 1950 nach Los Alamos zurück um an dem Projekt mitzuarbeiten Er wurde jedoch nicht Leiter des Projekts obwohl er und der polnische Mathematiker Stanislaw Ulam einen Vorschlag für dessen Verwirklichung eingereicht hatten
LevenshteinDistanz – Wikipedia ~ Die LevenshteinDistanz auch Editierdistanz zwischen zwei Zeichenketten ist die minimale Anzahl von Einfüge Lösch und ErsetzOperationen um die erste Zeichenkette in die zweite umzuwandeln Benannt ist die Distanz nach dem russischen Wissenschaftler Wladimir Lewenstein engl Levenshtein der sie 1965 einführte Mathematisch ist die LevenshteinDistanz eine Metrik auf dem Raum der
Gaschromatographie – Wikipedia ~ Die GasFlüssigkeitsChromatographie GLC oder einfach Gaschromatographie GC ist sowohl eine Adsorptions als auch eine Verteilungschromatographie die als Analysenmethode zum Auftrennen von Gemischen in einzelne chemische Verbindungen weite Verwendung GC ist nur anwendbar für Komponenten die gasförmig oder unzersetzt verdampfbar sind Siedebereich bis 400 °C
Walkenried – Wikipedia ~ Gemeinderat Der Gemeinderat setzt sich nach der Kommunalwahl am er 2016 seit November aus 14 Ratsfrauen und Ratsherren zusammen Veränderung zur Samtgemeinderatswahl 2011 Als Vergleichswert für Gewinne und Verluste der Parteien wird die Wahl zum Samtgemeinderat 2011 herangezogen
Liste der Mitgliedsverbindungen des CV – Wikipedia ~ Die Verbände Verbände sind gelb hinterlegt Die Einzelverbindungen sind unter ihrem Verband aufgelistet Die Nummer besteht aus einem Buchstaben für den Verband und der Nummer der Mitgliedschaft entsprechend dem Eintritt in den jeweiligen Verband
ArleighBurkeKlasse – Wikipedia ~ Die Planung für die Zerstörer der ArleighBurkeKlasse begann Anfang der 1980er Jahre als Ersatz für die Lenkwaffenzerstörer der CharlesFAdamsKlasse sowie der swerft für die Klasse war Bath Iron Works eine Werft aus dem Werften Bath Iron Works in Bath Maine und Ingalls Shipbuilding zugehörig zum Konzern Northrop Grumman in
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Zombie Massacre 2013 online stream
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Zombie Massacre 2013 | |
Dauer | 173 Sitzungsprotokoll |
Kinostart | 2013-06-06 |
Beschaffenheit | DAT 720p HDRip |
Buchgattung | Action, Horror |
Fachsprache | Deutsch, English |
castname | Roybet H. Japhet, Voletta Q. Briley, Sindy Q. Presley |
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The Coin Bearer 2012 | |
Zeitdauer | 136 kleinst |
Freistellung | 2012-09-30 |
Qualität | SDDS 720p HDRip |
Genre | |
Sprache | |
castname | Abdou F. Paule, Danita Z. Jesenia, Rahoul N. Kassidy |
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Kantor – Wikipedia ~ Als Kantor lateinisch cantare – singen cantor – Sänger bezeichnet man den Vorsänger oder den Chorleiter im n gibt es im Judentum wie auch im großer Bedeutung ist die Rolle des Kantors oder der Kantorin in den orthodoxen Kirchen bzw den mit Rom unierten Ostkirchen die in byzantinischer Tradition stehen da hier in der Liturgie viele Kontakien oder
Absorber – Wikipedia ~ Dies ist eine Begriffsklärungsseite zur Unterscheidung mehrerer mit demselben Wort bezeichneter Begriffe
BMW R 100 R – Wikipedia ~ Die BMW R 100 R ist ein Motorrad der Bayerischen Motoren Werke AG BMW Motorrad Deutschland Das Naked Bike war vorwiegend für den nordamerikanischen Markt konzipiert Bei der Sonderausgabe der „Classic“Serie von BMW wurden Anfang der 1990erJahre ein letztes Mal luftgekühlte ZweiventilerBoxermotoren 20589 im BMWWerk Berlin gefertigten Exemplaren der R 100 R endete
BMW R 45 – Wikipedia ~ Ausführungen Die BMW R 45 gab es in zwei Ausführungen Eine leistungsschwächere NVersion mit 27 PS und eine stärkere SVariante mit 35 PS für die eine Höchstgeschwindigkeit von 160 kmh angegeben wurde
BMW R 1150 R – Wikipedia ~ Die BMW R 1150 R ist ein unverkleidetes Motorrad des Fahrzeugherstellers alle Modelle der RReihe wird das Naked Bike von einem Boxermotor mit zwei Zylindern angetrieben Der Roadster hat mehrere bauähnliche Schwestermodelle wie dem ReiseSportler R 1150 RS und dem ReiseTourer R 1150 RT mit weitestgehend identischem Motor jedoch anderer Verkleidung und FahrwerksAuslegung
BMW R 23 – Wikipedia ~ Geschichte Da ab 1938 auch für Motorräder bis 200 cm³ eine Steuer und Führerscheinpflicht bestand aber eine neue Führerscheinklasse bis 250 cm³ eingeführt wurde nutzte BMW die Chance der Hubraumerweiterung auf 250 cm³ Die Serienfertigung lief im Juni 1938 in München an Nach zwei Jahren stellte BMW die Produktion 1940 kriegsbedingt nach 8021 gebauten Motorrädern ein
BMW R 1200 R – Wikipedia ~ Die BMW R 1200 R ist ein Motorrad des Fahrzeugherstellers Roadster wurde am 7 Juli 2006 auf dem tionalen BMW Motorrad Bikermeeting in GarmischPartenkirchen erstmals als Nachfolger der BMW R 1150 R vorgestellt und ist technisch weitgehend identisch mit dem Sporttourer BMW R 1200 ST und dem ReiseTourer BMW R 1200 RT jedoch ohne Verkleidung
RéaumurSkala – Wikipedia ~ Die RéaumurSkala in Grad Réaumur Einheitenzeichen °Ré °Re °Réaumur eingeschränkt auch °R als Einheit zur Messung der Temperatur wurde 1730 vom französischen Naturforscher RenéAntoine Ferchault de Réaumur eingeführt Grad Réaumur ist keine SIEinheit Bezugspunkte der RéaumurSkala sind der Schmelzpunkt von Eis 0 °Ré und der Siedepunkt von Wasser 80 °Ré bei
BMW R 35 – Wikipedia ~ Geschichte Am 20 Februar 1937 präsentierte BMW auf der Deutschen Automobilausstellung in Berlin der Öffentlichkeit erstmals die R 35 Entwicklung Die R 35 war als Nachfolger der schwer verkäuflichen BMW R 3 und der seit 1931 gebauten BMW R 4 ausgelegt Das Motorgehäuse wurde von der R 4 übernommen der Zylinderkopf entsprach konstruktiv dem der R 3
BMW R 26 – Wikipedia ~ Vorgängerversion Der Vorgänger der R 26 war das Modell R 253 mit 9 kW Nennleistung Teleskopgabel und ihr unterscheidet sich die ab 1955 gebaute R 26 durch einen stärkeren Motor und einen lig ist das hohe Gewicht der Maschine in Verbindung mit der trotz Steigerung verhältnismäßig geringen Leistung
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7 Chinese Brothers 2015 online stream
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7 Chinese Brothers 2015 | |
Dauer | 154 kleinst |
Entlassung | 2015-08-14 |
Güte | M1V 1080p WEBrip |
Gattung | Comedy |
Sprache | English |
castname | Amina H. Sahl, Herrera X. Eralda, Travis C. Dorothy |
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Saturday, March 30, 2019
Cherry Tree 2015 online stream
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Cherry Tree 2015 | |
Zeitdauer | 164 sehr klein |
Auslöse- | 2015-08-04 |
Beschaffenheit | SDDS 1080p Blu-ray |
Gattung | Horror |
Programmiersprache | English |
castname | Earlean L. Shifrah, Jolie X. Lorenzo, Monty W. Wanita |
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Çılgın Dersane Ada 2015 | |
Geltungsdauer | 181 Besprechungsprotokoll |
Entladung | 2015-01-16 |
Qualität | WMV 1080p DVD |
Buchgattung | Comedy |
Sprache | Türkçe |
castname | Pepe S. Efrain, Ellis K. Hailey, Leonela N. Skyler |
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Khawto 2016 | |
Dauer | 121 Augenblick |
Erlösung | 2016-07-22 |
Eigenschaft | SDDS 1080p DVDScr |
Buchgattung | Thriller |
Sprache | বাংলা |
castname | Jeana M. Roth, Markus B. Elaina, Nada E. Lordon |
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Ghostbusters 2016 | |
Zeitdauer | 147 Minute |
Freisprechung | 2016-07-14 |
Eigenschaft | WMV 1080p DVD |
Buchgattung | Action, Fantasy, Comedy |
Sprache | English |
castname | Sherae D. Rohan, Tayab R. Nazifa, Robles S. Ianna |
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"While it falls short of nailing the anarchic spirit and character chemistry of Ivan Reitman’s beloved 1984 blockbuster, Feig and his cast of game comediennes deliver enough thrills and giggles to both justify the long-in-development franchise-starter and smother the internet’s white noise of negativity..."
Read the full review here: http://screen-space.squarespace.com/reviews/2016/7/12/ghostbusters.html
Filmmaker Paul Feig's **Ghostbusters** reboot pretty much followed the characteristic aspects of his previous films ("Bridesmaids", "The Heat", "Spy") all incorporating a self-awareness of female-oriented friendship and the estrogen-driven escapades rooted in inspired goofiness. So given this familiar foundation of Feig's big screen blueprint one would expect that his creative input into the continued Ghostbusters franchise for the millennium moviegoers would result in the heralded hype his film project is now enjoying at large. Sure, the feminine-charged **Ghostbusters** seemed like a radical concept and would obviously trigger the nostalgic sentiments (and comparisons) of the classic 80's comedy spearheaded by beloved on-screen paranormal hucksters Bill Murray, Dan Aykroyd, Harold Ramis and Ernie Hudson. Nevertheless, singer Ray Parker Jr.'s lyrical catchphrase "Who you gonna call?" within the Ghostbusters theme song needs to be addressed accordingly. The answer: the handlers behind the original **Ghostbusters** film that could uplift the disjointed high jinks and synthetic silliness of Feig's current comedic ghostly she-power schlockfest.
It is only natural that **Ghostbusters** had high expectations for Sony Pictures to perform well given the aggressive marketing tactics, early release of the Ghostbusters movie trailer (which was heavily panned online) and the aforementioned cinematic legacy of the original film's fanatical following and reputation. However, this third installation of **Ghostbusters** feels curiously flat and strained in its stillborn witticism. The creep factor borders on campy and cheesy (although this effectively worked for Ivan Reitman's 32-year old spook-ridden farce in the eighties) for which in today's cinematic circle is inexcusable due to the edgier and challenging special effects that could have played up the whimsy and wonderment of this breezy, bubble-gum colored romp with seemingly low-grade spark and sizzle.
Feig's interpretation of the **Ghostbusters** universe could have been fresh and favorable especially with the colorful casting of his capable four female principals in the Emmy-winning and Oscar-nominated Melissa McCarthy along with Saturday Night Live personalities Kristen Wiig, Kate McKinnon and Leslie Jones. Unfortunately for these noted funny ladies they were saddled (or slimmed if you will) by a transparent script almost as invisible as the pesky ghosts they are trying to pacify. The recycled by-the-numbers hilarity and hysteria does not make this brand of ghost-busting quite distinguishing. Chemistry-wise, the Ghostbuster gals seem to revel in the collective merry-minded mischievousness and genuinely try to bring energy and outrageous antics to this flaccid frightfest. Still, the mixture of Ghostbusters' gooey gumption with a dash of egghead feisty femininity never seems to translate into anything beyond the tired gimmick of promoting another excuse to tap into yesteryear's profitable fun and frolic that made the wise-cracking Murray and his klutzy cohorts so amusing and welcomed in their rollicking ghostly gem from the Reagan-era.
Quite frankly the notion that **Ghostbusters** is unfairly being knocked for its misogynistic overtones fueled by bias Internet-based fanboys not accepting that nerdy womanly scientists cannot fill the shoes of their revered male counterparts from the previous two predecessors is somewhat misleading. Sure, the decision to cast an all-female **Ghostbusters** team turned some curious heads but for the most part many thought this to be rather intriguing and experimental. The actual disdain can be pinpointed to the fact that Feig's flimsy boo-spewing fable is grounded in cliched and forced chuckles, weak-kneed jokes and gags, lazy writing and uninspired visual neon lighting techniques that look like a cheapened explosion from a vintage late 70's New York discotheque.
Unfortunately, **Ghostbusters** wallows in mediocrity and fails to capture the acquired giddiness and imagination so pronounced in the prior entertaining installments. Even if the original actors in Murray, Aykroyd, the late Ramis and Hudson had decided to reprise their roles under Feig's problematic production the results would be the same--an aimless reboot without any definitive bite or backbone for a cobbled comedy that is slight and stretched thin to its toothless core. Amazingly, **Ghostbusters** cannot decide if it should remain faithful to its humble roots (it does help trivially that iconic Ghostbuster notables make scattered cameos--sans Rick Moranis--including that glorified scene-stealer in the Stay Puft Marshmallow Man as well as hot dog gulper Slimer) or venture off into something resembling its own goofy identity and distinction. Either way the third time around simply meanders in over-produced, noisy emptiness.
The so-called plot in **Ghostbusters** focuses on college professor Erin Gilbert (Wiig presumably in the Murray/Dr. Peter Venkman role) and her fascination with ghost activities that end up costing her an academic career in the process. Specifically, Erin's controversial book that she wrote along with co-author Abby Yates (McCarthy) served as the basis for her firing. Abby's obsession with ghosts still has her invested with this spirit phenomenon that she researches defiantly with her kooky associate Jillian Holtzman (McKinnon) in tow. Eventually, it would take the trio's status of joblessness (not to mention a run-in with a slim-spewing ghost that loves soaking humans with its sticky green goo) to collaborate on going into business as paranormal exterminators out to showcase their expertise in "busting ghosts".
In the meanwhile, there is something brewing in the twisted mind of supernatural-loving freak Rowan North (Neil Casey). After all, he is the lost soul responsible for unleashing the onslaught of riff-raffish apparitions upon New York City courtesy of his miserable, lonely existence. Now it is up to Erin, Abby and Jillian to eliminate Rowan's sinister agenda and eradicate the spooky pests that he has manipulated to cause the city-wide panic. As Internet sensational darlings, the Ghostbusters are committed to step up to the plate as the sassy saviors they were meant to be since going into the ghost-busting industry.
The later arrival of street-wise transit worker Patty Tolan (Jones) completes the Ghostbusters' quartet. Patty, whose run in with one of the slimy ghosts in the subway tunnel was pivotal to joining the three scientists, has something to offer the ghost-chasing brainiacs--a.) her knowledge of the city's whereabouts and b.) her funeral director uncle's hearse that serves as the official transportation for the Ghostbusters.
Overall, the third outing regarding this toothless entry **Ghostbusters** notoriously lacks the robust impishness and rapport of the male character counterparts that were devilishly drawn together and cemented by Murray's droll humor. Here, the ladies come off as bland and indifferent--at least for the Paul McCartney and John Lennon of the team in Wiig's Erin Gilbert and McCarthy's Abby Yates. McKinnon's Jillian Holtzman is the only truly spry Ghostbuster who is credible as an off-kilter genius ditz with off-the-wall likability. Some may gravitate towards Jones's stereotypical brassy black chick with the brash quips and animated overreactions. Although Jones brings in the high-wire urbanized smirks in contrast to her quieter, geekier counterparts it is cringe-worthy watching her play an over-the-top, towering, mouthy cultural exaggeration that is woefully embarrassing for the sake of this dismissive. hedonistic hoot.
Ironically it is the hunky Chris Hemsworth that fares decently as the handsome himbo Kevin, the dim-witted **Ghostbusters'** male assistant that serves as the doltish eye candy for the cerebral lasses, particularly for the smitten Erin. Another SNL alum, Cecily Strong, checks in as the menacing mouthpiece from the Mayor's office that tries to discredit the popular ghost-busting technicians as "sad, thrill-seeking women".
Feig, serving as both the film's director and co-screenwriter (along with "The Heat" scriber Katie Dippold) has no cohesive vision for the listless **Ghostbusters** and could have used some critical pointers in studying the proven anatomy of what made Reitman's nostalgic vehicle so engaging that still thrives after three decades since coming into the movie audience's consciousness. From the lame and limping laughs dipped in cartoonish crudeness (i.e. a male ghost gets a rousing jolt to his "junk" courtesy of his heroic ghost-busting detractors) to musical acts Fall Out Boy's/Missy Elliott's relentlessly unrecognizable, erratic and choppy remake of the aforementioned Parker's infectious **Ghostbusters'** theme song in this regurgitated comedy that has no excuse for catering to a lackluster rebirth while die hard and casual fans patiently waited for a festive follow-up from Murray and crew for thirty-plus years.
To randomly quote a classic **Ghostbusters'** lyrical line: "I ain't afraid of no ghosts". This may be the case but one should be very afraid of this heavy-handed banal boofest for wasting their time, anticipation and consideration.
**Ghostbusters (2016)**
Sony Pictures
1 hr. 44 mins.
Starring: Melissa McCarthy, Kristen Wiig, Leslie Jones, Kate McKinnon, Chris Hemsworth, Neil Casey, Cecily Strong, Charles Dance, Michael Kenneth Williams, Matt Walsh, Ed Begley, Jr.
Directed and Co-Written by: Paul Feig
MPAA Rating: PG-13
Genre: Comedy/Supernatural/Science Fiction/Action and Adventure
Critic's rating: ** stars (out of 4 stars)
--Frank Ochieng (c) 2016
I was determined to see this movie on opening day. Female cast, Paul Feig (a Michiganian who included a Michigan line in the film), a couple fistfuls of ridiculousity on social media. When the movie started, I was one-eyeing the screen. Waiting for it. Oh oh. Fart joke. Oh oh. Kristen Wiig still can't make her eyes look interested. Then Charles Dance shows up with his serious comic tongue stuck in his cheek to admonish Prof. Gilbert that if she is serious about tenure, she needs to find a more prestigious university recommendation. "More prestigious? Than Princeton?" Now I know the deadpan eye comic genius of Wiig, too. From that point on, I was in love with the story. Katie Dippold cowrote the film. She has a bit part as the real estate agent showing the team the 1984 movie's fire station to rent. I want more of her screenwriting. The dialogue is witty, sharp, real. While I liked the 1984 Ghostbusters, it's a buddy movie. Dudes in the treehouse with no girls allowed spelled wrong nailed to the door. Smug, chirpy, guybonics. Venkman electrocuting rivals in the lab: using paranormal research to get dates. Annie Potts drooling over Spengler. Sigourney Weaver in a diaphanous dress, draped on a parapet waiting for the Gatekeeper. The sore spots in 1984 are sprayed away in 2016 without gender disrespect. Gilbert gets to drool over the pretty doofus administrative assistant. When you see this movie, watch all the credits. Chris Hemsworth is a clearly confident actor - he dives pelvis-first into the Kevin role, and it's hilarious. I'm still searching for the creator of the titles and end credits. Excellent art. The poster? Not so much. Hemsworth needs to be behind the four leads. Geez. Casting hit a lick with Kate McKinnon as Holzmann. She is fantastic bringing Harold Ramis' genius back to life. Leslie Jones as Patty: so good, and she has some of the juiciest lines, delivered with haute sass. There are really well-placed cameos by 1984's cast, including birthing one of the movie's best lines "safety lights are for dudes." 2016 Ghostbusters is a great fun movie, and I'll watch it more than once again. One of the brilliant visuals that I was thrilled with - the stream from the proton packs tied up the ghosts. Wrapped, pinned, contained lassoed. Genius analogy for what to do with obsolete stereotype. There's a lassoed line in the film while the Ghostbusters are reading the internet reaction to their first catch. "Ain't no bitches gonna catch no ghosts." Yeah. Watch this.
Unfortunately this has become because of political correctness and its backlash almost impossible to rate objectively. In the 2016 North American wish to either redo every successful film ever made and present every conceivable variant in the process, for what could be deemed the lack of any possible originality of ideas, I still tried to enter this with an open mind, and see this as if the two films from the 80's (which I enjoyed very much the one time I saw each of them) had never existed. I should state I saw this in 3D (which I hardly ever do), with my lady and our respective sons.
I felt that it was quite funny and that the special effects were excellent. Next to 'Avatar', the use of 3D was the best I have ever seen. It's a popcorn flick well-worth seeing. Though I haven't seen any other movies by Feig or starring McCarthy, it made me want to go back and give them a shot at some time in the near future. There was something for everyone--both my lady and I enjoyed it very much--and the boys, three and thirteen years-old respectively, loved it as well. Give it a shot.
A SCREEN ZEALOTS REVIEW www.screenzealots.com
There’s an arbitrary sense of nostalgia that unfairly permeates audience perceptions of the new female-centric “Ghostbusters” reboot. I love the original 1984 film too; I wore out my VHS cassette when I was a kid and I’ve probably seen the movie dozens of times, including special theatrical re-releases and anniversary screenings. It’s almost as if all of this animosity is seen as a badge of honor for ‘serious movie fans.’
All of this badmouthing is truly unwarranted, especially if you actually go back and rewatch the original. Sure, the movie has comedy legend Bill Murray, the hilarious Rick Moranis, and memorable performances from Harold Ramis, Sigourney Weaver and Dan Aykroyd. It introduced us to the characters we all still love decades later, and made lines like “tell him about the Twinkie” a permanent part of movie nerd vocabulary. But to all the haters I say this: you are being very, very unfair. The 1980s era film has a lot of boring sequences and lags quite a bit, and as is the case with many movies, sometimes our nostalgia creates pretty thick rose colored glasses. We tend to only remember the good in our childhood favorites.
Put aside your bias: the new “Ghostbusters” honors the legacy of the original, is a fun retelling of the classic story, and it does not disappoint. THIS MOVIE IS FUNNY! THIS MOVIE IS ACTUALLY GOOD!
There are a couple of minor hiccups along the way (as with most comedies, not every joke sticks, and the ghastly Missy Elliott / Fall Out Boy remake of the already awful Ray Parker Jr. song “Ghostbusters” makes an unwelcome appearance), but overall the movie is a success. At first it may feel weird to see women Ghostbusters but any skepticism will quickly fade (there’s a new generation of young girls who will undoubtedly be inspired by these characters).
When estranged childhood friends and paranormal enthusiasts Erin (Kristen Wiig) and Abby (Melissa McCarthy) reunite, sparks are rekindled and they decide to get back to their ghost chasing roots. The smartypants duo is joined by weirdo nuclear engineer Holtzmann (Kate McKinnon) and subway worker Patty (Leslie Jones). When Manhattan starts to experience boatloads of specter activity, the friends get started on some good old fashioned poltergeist hunting.
A big part of why this movie works is the comedic talent of these women; their chemistry is evident and they play well off each other, and the positive themes of loyalty and friendship never once feel fake. All of the actors are proficient at physical comedy and all have impeccable timing. This movie is very funny and the jokes had (and kept) me laughing from the beginning (there’s a particularly hilarious sequence at a heavy metal concert that’s worth the price of admission).
Rounding out the amusing performances is Chris Hemsworth as Kevin, a completely clueless stud muffin who is hired as the women’s receptionist solely based on his beefcake good looks. This feminist spin on the dumb secretary stereotype is exactly the type of lampoon I was hoping for here. In fact, the film doesn’t shy away from all of the lady haters either: there are lots of self-referential bits that directly address all of the critics (my favorite being Holtzmann’s ‘One of the Boys‘ t-shirt). Girl power!
Fans of the original will also appreciate several in-jokes and references, and there’s a long line of fun cameos (which I won’t spoil here: just keep your eyes open and be sure to stay through the end credits)! The special effects have been given a serious upgrade as well: these ghosts look real, feel real, and are appropriately scary-yet-funny. When the ladies first fired up their proton packs, I began cheering internally.
“Ghostbusters” is exactly what a summer movie is supposed to be. It’s big in scope, it’s full of hearty laughs, it’s filled with terrific performances from all of the leads, it’s stuffed with stunning special effects, and it’s something the entire family can enjoy. All of you naysayers really need to lighten up because this is a really, really fun movie.
**A SCREEN ZEALOTS REVIEW www.screenzealots.com**
**The ghosts are real and the scientists are hunting them down!**
First of all I am not a fan of the original film, but I enjoyed watching them. So I anticipated this film for the updates to deliver what I'm looking for, including some good jokes, but I found it an average film. I am very interested to have the women's version of hit the films and vice versa, but there are not many films in this category. All I wanted was 'The Expendables', but they made this one. I think it was a great idea, though the execution was really impressive.
The story was okay type, they kept it very simple. No big developments, except two main characters. But all the four women were good, along with Chris Hemsworth as a worthy sidekick. The director whose favourite casting actress, Melissa McCarthy's fourth film with him in four years and he did his job well, but the screenplay lets the film down.
There's no major comparison with the original, because this is a reboot and obviously has similar appeal from visual to comedies. Except they talk too much science thing because of todays advanced science. The disappointments are the ghosts, the film did not give preference for them to show their atrocities. I mean the perspective was always from the women gang who fights them. Definitely a one time watchable film, for its decent graphics, performances and some good comedies.
_6/10_
**The ghosts are real and the scientists are hunting them down!**
First of all I am not a fan of the original film, but I enjoyed watching them. So I anticipated this film for the updates to deliver what I'm looking for, including some good jokes, but I found it an average film. I am very interested to have the women's version of hit the films and vice versa, but there are not many films in this category. All I wanted was 'The Expendables', but they made this one. I think it was a great idea, though the execution was really impressive.
The story was okay type, they kept it very simple. No big developments, except two main characters. But all the four women were good, along with Chris Hemsworth as a worthy sidekick. The director whose favourite casting actress, Melissa McCarthy's fourth film with him in four years and he did his job well, but the screenplay lets the film down.
There's no major comparison with the original, because this is a reboot and obviously has similar appeal from visual to comedies. Except they talk too much science thing because of todays advanced science. The disappointments are the ghosts, the film did not give preference for them to show their atrocities. I mean the perspective was always from the women gang who fights them. Definitely a one time watchable film, for its decent graphics, performances and some good comedies.
_6/10_
This movie was a huge disappointment! The only positive thing I can say about it is that the special effects where not half bad. The movie itself was childish, unfunny, unintelligent and generally really bad.
Some reviews giving this movie 9 or 10 stars (which is just ludicrous) are saying that people cannot handle the feminism in the movie. What feminism? Replacing the original actors with women is not feminism as far as I am concerned and anyway, if you care about such things should it not have been two women and two men to be politically correct? Also, the supposedly intelligent women in this movie behave in a typical old-fashioned Hollywood stereotype of women way. They are mostly downright silly. If I were a feminist I would actually have been insulted by this movie.
Then we have the male clerk that is dummer than a piece of rock. If someone had stacked four supposedly intelligent men and a single blond bimbo that is totally devoid of any trace of intelligence together in a movie the social justice warriors would have cried foul so loud that you could hear it across the planet. But since it is four women and a stupid male it is okay (not really). It is even feminism according to some people. What a load of bollocks.
There is actually a story in the movie although it is well hidden under the silly jokes and silly behavior. It is paper thin and rather silly in itself but it could have worked if the rest of the movie was up to snuff but sadly it is not.
As I wrote above the only good thing about this movie is the special effects. The few scenes that I actually enjoyed was during the big shoot out at the end which had some cool moments. I especially liked when Jillian pulls a pair of pistols out of her Ghostbuster suit and goes on a ghost killing spray.
Apart from that this movie is best forgotten.
This movie is horrible. It plays like an overly long SNL sketch. The only saving grace is that this lost so much money that there will not be a sequel. Unfortunately for the fans, this means that the franchise is likely dead in the water for a long time.
This movie is a disaster. The casting is way off. The special effects are mediocre. The story is merely a retread from the original... and they shoot the original logo in the crotch. There is nothing good about this production. What a waste of a perfectly good franchise.
As a male nerd who grew up in the 1980's watching both original movies and the cartoon, running around with my toy proton pack and catching imaginary ghosts in my basement, I should be of the demographic complaining about how this ruins my childhood or that a cast of all women is just a stunt in the name of political correctness, or whatever their issue is. But the truth is, I REALLY enjoyed this movie.
The four female leads were absolutely hilarious--especially Kate McKinnon who steals every scene she is in. The other three characters have more growth, more of a story arc, and are more fleshed out as people in general. But McKinnon makes the most out of the available material and creates a very fun and memorable character.
The comedy of the 2016 version, while equally effective, is completely different from the dry humor of the original. The absence of Dan Aykroyd's and Harold Ramis's ludicrously funny lines delivered with a straight face, and the deadpan humor of Bill Murray has been switched out with a more over-the-top and in-your-face style of humor. It's not as subtle. Ghostbusters (1984) made me chuckle; Ghostbusters (2016) made me laugh out loud.
While a lot of the original's comedy came from the ghosts themselves, i.e. that they're funny instead of legitimately scary, the new version reverses that. There is some very creepy imagery involving things like old timey parade balloons, ghosts pushing against mirrors, and other things that seemed inspired by American Horror Story. Plus, there were some good jump scares, boo moments, that actually caught me off guard.
Much like a guitar amp out of Spinal Tap, this film turns both the scares and the comedy up to 11 with great results.
I haven't had this much fun at a movie in a long time. The trailer is NOT a valid way to judge this film. The trailer seemed to splice together all the ineffective moments and jokes of the film. But those were the exceptions and not the rule. The rule here is fun, entertainment, laughs, and the occasional scare. When the film works, it works remarkably.
The only real misstep was Chris Hemsworth's character. While the gender role reversal of the hot blonde ditz secretary was brilliant and long overdue in a mainstream summer movie, he was just too dumb to be believable. The character of Kevin belonged in a cartoon and not a legitimate movie.
The best line in the movie references Jaws and Annie Potts' cameo made me cheer.
However...
If you've already decided you hate this movie without even seeing it, you probably won't like it. That's how these things usually work. But, if you have an open mind and are reserving judgement, I suggest you see it. You will be pleasantly surprised.
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Friday, March 29, 2019
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Prisoners 2013 | |
Geltungsdauer | 194 Besprechungsprotokoll |
Abgabe | 2013-09-18 |
Eigenschaft | MPEG 720p HDTS |
Gattung | Drama, Thriller, Crime |
Sprache | English |
castname | Séréna T. Monjeau, Cléa M. Nana, Dilawar Q. Jourdan |
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Really intense and well done thriller. One of the few in the last years with great performances by Jackman, Gyllenhaal and Dano.
It also has some content to chew. I really enjoyed watching it.
Certainly Villenueve's most accessible film, but still a very good one.
Final rating:★★★½ - I strongly recommend you make the time.
What a powerful film and what a great acting. I just couldn't help rewinding various scenes throughout, especially when Jackman's character showed anger and frustration for either his child being abducted or having what he thought was the culprit being tortured, although getting nowhere. Definitely a must for Mystery/Drama.
8/10
MUST SEE MOVIES BEFORE YOU DIE,
another masterpiece by Hugh Jackman, surprising plot-twist!!
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You Must Be Joking 2014 online stream
You Must Be Joking 2014 Blu Ray, You Must Be Joking 2014 Hd Stream, You Must Be Joking 2014 Uncut
You Must Be Joking 2014 | |
Zeitdauer | 156 Minute |
Freisetzung | 2014-05-23 |
Qualität | AAF 720p DVDrip |
Buchgattung | Comedy |
Sprache | English |
castname | Zayn B. Bonnie, Clirim X. Lauma, Barrès V. Banks |
You Must Be Joking 2014 online filmek
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Jagdfliegergeschwader 1 – Wikipedia ~ Das Jagdfliegergeschwader 1 JG1 trug den Ehrennamen Fritz Schmenkel und war ein fliegender Verband in Regimentsstärke der NVALuftstreitkräfte in direkter Unterstellung der 1 Luftverteidigungsdivision
Jagdpanzer 38t – Wikipedia ~ Entwicklung Da die wirkungsvolle 75cmPanzerabwehrkanone 40 PaK 40 zu schwer für den Mannschaftszug und damit auf dem Gefechtsfeld unbeweglich war wurden ab 1942 auf den Fahrgestellen des Panzer II und des Panzer 38t in drei verschiedenen Bauarten sowohl die 75cmPaK 40 als auch erbeutete und modifizierte sowjetische 762cmPanzerabwehrkanonen montiert
Panzerjäger – Wikipedia ~ Die Ursprünge der Panzerjäger Mit dem Aufkommen von Panzerfahrzeugen für eine bewegliche Gefechtsführung nach den Erfahrungen des Ersten Weltkrieges wurden bei der deutschen Reichswehr und später der Wehrmacht erstmals Panzerabwehrtruppen gebildet auch wenn dies durch den Versailler Vertrag verboten war Auf Grund innermilitärischer Kompetenzen in der Wehrmacht gehörte die
Sopot – Wikipedia ~ Sopot ˈsɔpɔt deutsch Zoppot ist ein Ostseebad in der polnischen Woiwodschaft bildet zusammen mit Danzig und Gdingen den Ballungsraum Dreistadt polnisch TrójmiastoWährend in den beiden Nachbarstädten vor allem Handel Industrie und Häfen von Bedeutung sind profitiert Sopot als Kurstadt vornehmlich vom Fremdenverkehr
Julia Görges – Wikipedia ~ Zu Beginn des Jahres 2008 reiste Görges zu den Turnieren in Australien bei denen sie jeweils in der Qualifikation scheiterte Für die Viertelfinalpartie gegen die USA wurde sie von Barbara Rittner erstmals für das deutsche FedCupTeam nominiert Bei ihrem Debüt war sie gegen Lindsay Davenport jedoch chancenlos 16 26 Görges stand Ende Mai 2008 erstmals in den Top 100 der Weltrangliste
Arminius – Wikipedia ~ Arminius in einigen Quellen auch Armenius um 17 v Chr † um 21 n Chr war ein Fürst der Cherusker der den Römern im Jahre 9 n Chr in der Varusschlacht mit der Vernichtung von drei Legionen eine ihrer verheerendsten Niederlagen beibrachte Die antiken Quellen bieten nur wenige biografische Angaben zu Arminius Das nachantike Bild des Cheruskerfürsten ist vor allem durch die von
Armut – Wikipedia ~ Etymologie Die Herkunft des zugrundeliegenden Adjektivs arm ist zwar umstritten wird aber mehrheitlich auf die germanische Wurzel arҍmazurückgeführt das „vereinsamt verwaist verlassen“ bedeutet und mit griech erḗmos ἐρῆμος „einsam“ in Verbindung gebracht wird Eine veraltete Bezeichnung für „sehr große Armut“ ist Mendizität von lat mendīcitās
Blue Mountain Kaffeesorte – Wikipedia ~ Jamaica Blue Mountain ist die Bezeichnung für eine ArabicaKaffeesorte welche in den Blue Mountains von Jamaika wächst
Peter BrabeckLetmathe – Wikipedia ~ Leben Peter BrabeckLetmathe legte im Jahr 1962 seine Matura am Peraugymnasium in Villach ab Nach seinem Wirtschaftsstudium an der Hochschule für Welthandel in Wien begann Brabeck 1968 für Nestlé Österreich als Spezialist für neue Produkte zu arbeiten Im Jahr 1997 löste er Helmut Maucher als Vorsitzender der Konzernleitung bei Nestlé ab Von 2005 bis 2017 war er Präsident des
Resilienz Psychologie – Wikipedia ~ Begrifflichkeit Der Begriff Resilienz hat sich im Laufe der Zeit gewandelt Früher bezeichnete Resilienz auch eine spezielle Eigenschaft von Personen besonders Kindern die ihre psychische Gesundheit unter Bedingungen erhielten unter denen die meisten Menschen zerbrochen wären In diesem Sinne wurde der Begriff zum Beispiel von Emmy Werner benutzt
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