Wednesday, January 31, 2018
The Wolf of Wall Street 2013 online stream
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The Wolf of Wall Street 2013 | |
Geltungsdauer | 146 kleinst |
Freisetzung | 2013-12-25 |
Qualität | WMV 720p WEB-DL |
Genre | Crime, Drama, Comedy |
Programmiersprache | Français, English |
castname | Talon C. Compton, Zdenek V. Eman, Hansika A. Nawal |
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"
The Wolf of Wall Street is so addicting to watch, that even with it's 3 hour long run time, you wont be surprised if you end up watching it four days in a row.
This is Scorsese letting loose and having fun, showing all of the debauchery (and man, is there a lot) in all of it's glory. There are orgies, sex, nudity, copious amounts of drug use, and it now holds the record for the most use of fuck in any film.
Leonardo DiCaprio gives a towering and hilarious performance as Jordan Belfort. He throws himself into the role with free abandon, while also showing that he's aces when it comes to comic timing and physical comedy. If he doesn't win an Oscar this season I'll be quite upset, though Matt from Dallas Buyers Club rightfully deserves it as well. But this is a 3 hour long film, and Leo is in every single second of every single scene. He's ferocious, hilarious, out of his mind, and flat out brilliant.
The supporting players are tops as well. I was somewhat baffled when Jonah Hill earned a nominee for Moneyball, but this time around he rightfully deserves this years nominations. With his pearly white teeth, charisma, while also throwing himself into the role with no fear, this is without a doubt his greatest work as an actor to date. The real find, however, is Margot Robbie. Strikingly beautiful, her character could have been one note, but she also hits the ball out of the court. Even Matthew Macconaughey steals the show with only one scene.
Dangerously funny, superbly edited, and with a delicious, irreverent, savage bite. The Wolf of Wall Street is Scorsese at his wildest. And it goes without saying, that this is one of the best films of last year. Just stay away if you are in any way a prude or conservative.
Rated R- Graphic nudity, strong sexual content, drug use throughout, pervasive language, and some violence.
An excessive movie in all possible senses with breath taking Margot Robbie and Jonah Hill which is not long in spite of its 3h length but which ends not knowing exactly which is the point of the story.
**Voracious Bull**
Every time I try to enjoy a Martin Scorcese movie post-1980 I ask myself what made _Raging Bull_ so great? Did Marty burn out after his Jake LaMotta bio, the same way Coppola did after _Apocalypse Now_? These were risky movies, driven by passion, bordering on madness. Did Marty and Francis lose their natural passion for making films because industry priorities dismissed 70's-style hyper-realism for sensational summer blockbusters and CGI spectacles? And why is Scorcese considered one of the greatest director when he really only made one truly superb movie?
When I first saw _Raging Bull_ in 1980 I immediately knew I was watching something that transcended the typical cinematic experience. Genius was shimmering out of every perforated frame flickering on the screen. Paul, Marty, Bobby, Mike and Thelma created something that was completely absorbing. The style and substance was perfectly fueled by a flawless emotional narrative. Every element was orchestrated just right. The audience was spellbound. We were watching greatness. A rare and unique organic creation. I'm still waiting for Robert Redford to correct a travesty of justice and hand his Ocscar over to it's rightful owner. And I'm still waiting for Scorcese to match his own brilliance. But that's like expecting Tarantino to top _Pulp Fiction_. There's a better chance Orson Welles rises up from the dead to one up _Citizen Kane_.
After _Raging Bull_, Scorcese has made a string of pictures ranging from not bad to pretty good. All well-made, thoughtful and meticulously crafted films, but nothing special; certainly nothing profound. Contrary to popular opinion, _Goodfellas_ is not a great movie. I was not swept away by the saga. I was annoyed rather by the fragmented non-stop soundtrack and incessant up-tempo style. Marty wasn't risking anything anymore. He seemed to be afraid of boring the audience. Perhaps he was trying to revive the 1940's never-let-up screwball-bouncing farcical Preston Sturges and co. comedies. But this is a mafia film. This should have been right up Marty's alley. It's been almost a quarter of a century since De Niro got his face busted in a boxing ring. Since the raw, robust and naive will-power of LaMotta's youth plunged into the pathetic, brutal, bone-headed stupidity of his later years. Similarly, Scorsese hasn't registered a knock-out punch since. Would his ensuing movies be considered great if someone else directed them? Would I have liked them all better if Raging Bull had never been made?
_The Wolf of Wall Street_ is another exhausting affair. It tries too hard to excite and entertain us. It's afraid of slowing down, allowing us to ponder or examine the complexities of excessive greed, shameless wealth and unbridled capitalism. It desperately wants to arouse us. Like a neglected clown at a child's birthday trying to be loved and taken seriously while draining the life out of the party. Give Leo and Jonah an "A" for effort. They couldn't have tried harder if they broke out into song and dance every ten minutes. And they convincingly appeared to enjoy themselves freely indulging in coke, ludes and naked women every five minutes. It was nice of Leo to step back while Margot Robbie took her routine and obligatory, supporting-actress hissy fit. And you know a filmmaker has a lot of faith and confidence in his work when a superfluous narration track is added, to plug those terrifying noiseless gaps. Whatever happened to poignant, suspenseful, sure-footed, gripping, emotionally-arresting dramas that take you on a nervy, wild ride to a thoroughly gratifying climax? A truly great director from Kurosowa to, well, Scorcese-(circa 1979) would have plotted the rise and fall of a maniacal protagonist along deeper and more affecting lines even at the risk boring its audience for one minute.
Adlkofen – Wikipedia ~ Adlkofen liegt rund acht Kilometer östlich von Landshut und südlich über dem Tal der vier Gemeinden Kumhausen Geisenhausen Kröning und Niederaichbach des Landkreises Landshut sowie die Stadt Landshut selbst grenzen daran Zu erreichen ist Adlkofen von Landshut aus über die Staatsstraße St 2045Über die Kreisstraße LA 31 erreicht man in südlicher Richtung Geisenhausen und
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Frozen 2013 online stream
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Frozen 2013 | |
Dauer | 116 Konzept |
Entladung | 2013-11-27 |
Beschaffenheit | Sonics-DDP 720p WEBrip |
Buchgattung | Animation, Adventure, Family |
Sprachfähigkeit | English |
castname | Braun J. Daizie, Tristan X. Asselin, Gethyn G. Donavan |
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"
"Frozen," the latest Disney musical extravaganza, preaches the importance of embracing your true nature but seems to be at odds with itself.
The animated, 3-D adventure wants to enliven and subvert the conventions of typical Disney princess movies while simultaneously remaining true to their aesthetic trappings for maximum merchandising potential. It encourages young women to support and stay loyal to each other—a crucial message when mean girls seem so prevalent—as long as some hunky potential suitors and adorable, wise-cracking creatures also are around to complete them.
It all seems so cynical, this attempt to shake things up without shaking them up too much. "Frozen" just happens to be reaching theaters as Thanksgiving and the holiday shopping season are arriving. The marketing possibilities are mind-boggling. And in the tradition of the superior "Beauty and the Beast" and "The Little Mermaid," surely "Frozen: The Musical" will be headed to the Broadway stage soon. The songs – which are lively and amusing if not quite instant hits—are already in place.
Little girls will absolutely love it, though. That much is undeniable. And the film from co-directors Chris Buck ("Surf's Up") and Jennifer Lee is never less than gorgeous to watch. A majestic mountaintop ice castle is particularly exquisite—glittery and detailed and tactile, especially as rendered in 3-D.
But first we must witness the tortured backstory of the film's princesses – not one, but two of them. The script from "Wreck-It Ralph" co-writer Lee, inspired by the Hans Christian Andersen story "The Snow Queen," has lots of cheeky, contemporary touches but is firmly and safely rooted in Scandinavian fairy tale traditions.
When they were young girls, sisters Anna and Elsa were joyous playmates and inseparable friends. But Elsa's special power—her ability to turn anything to ice and snow in a flash from her fingertips—comes back to haunt her when she accidentally zaps her sister. (Not unlike the telekinesis in "Carrie," Elsa inadvertently unleashes her power in moments of heightened emotion.) A magical troll king heals Anna and erases the event from her memory, but as for the sisters' relationship, the damage is done.
Elsa's parents lock her away and close down the castle, which devastates the younger Anna. (Of the many tunes from "Avenue Q" and "The Book of Mormon" songwriter Robert Lopez and his wife, Kristen Anderson-Lopez, the wistful "Do You Want to Build a Snowman?" is by far the most poignant.) But once they reach adolescence and it's Elsa's turn to take over the throne at age 18, the two experience an awkward reunion.
The perky, quirky Anna (now voiced by a likable Kristen Bell) is a little nervous but overjoyed to see her sister. The reserved and reluctant Elsa (Broadway veteran Idina Menzel) remains distant, and with gloved hands hopes not to freeze anything and reveal her true self on coronation day. But a run-in with an amorous, visiting prince (Santino Fontana) who sets his sights on Anna triggers Elsa's ire, and she inadvertently plunges the sunny, idyllic kingdom into perpetual winter.
Flustered and fearful, Elsa dashes away in a fit of self-imposed exile – which significantly weakens "Frozen," since she's the film's most complicated and compelling figure. On her way to the highest mountain she can find, Elsa belts out the power ballad "Let It Go," her version of "I Am Woman." This soaring declaration of independence is the reason you want a performer of Menzel's caliber in this role, and it's the film's musical highlight. (Her flashy physical transformation from prim princess to ice queen does make her resemble a real housewife of some sort, however.)
Afterward, though, the story settles in on Anna's efforts to retrieve her sister and restore order to the kingdom. Along the way she gets help from an underemployed ice salesman named Kristoff (Jonathan Groff) and his trusty reindeer sidekick, Sven. They all meet up with a singing snowman named Olaf (a lovably goofy Josh Gad, star of "The Book of Mormon" on Broadway) who dreams of basking in the warmth of the summer sun. This "Wizard of Oz"-style quartet makes the obstacle-filled trek to the imposing fortress that awaits. (At least "Frozen" has the decency to borrow from excellent source material.)
While the journey may seem overly familiar, the destination has some surprises in store. Some come out of nowhere and don't exactly work. But the biggie—the one that's a real game-changer in terms of the sorts of messages Disney animated classics have sent for decades—is the one that's important not just for the little girls in the audience, but for all viewers. http://newmoviestream.co/watch/2294629/frozen
wish everything about the film met the same clever standard.
I was excited to watch this movie after all the buzz about it but I've been a bit disappointed.
Yes, the animation is great and it keeps all the typical Disney details and is funny, sometimes. In addition, it features two strong female characters that don't need of a hero to save the story but ...
... but still they are the super-beautiful and perfect Disney princesses, as if they couldn't be normal girls from normal status, and the role of Queen Elsa is not that important as it would have expected.
Not a bad movie, but not the best and I think far from the fun I had with Tangled.
Frozen – Eiskalter Abgrund – Wikipedia ~ Frozen – Eiskalter Abgrund Originaltitel Frozen ist ein USamerikanischer Thriller aus dem Jahr 2010 von Adam Green mit Shawn Ashmore Emma Bell und Kevin Zegers in den Hauptrollen
Frozen Lied – Wikipedia ~ Frozen war eine radikale Veränderung für Madonna Die dunklen elektronischen Untertöne fernöstlichen Streicher die durch Craig Armstrong arrangiert wurden und der Hauch von nahöstlicher Percussion sowie der neue Stimmumfang waren neue Gebiete für Madonna Allerdings war der Song ein großer Erfolg und einer der 15 größten Hits von Madonna
Die Eiskönigin – Völlig unverfroren – Wikipedia ~ Die Eiskönigin – Völlig unverfroren Originaltitel Frozen ist ein USamerikanischer Computeranimationsfilm von Walt Disney 53 Animationsfilm startete am 28 November 2013 in den deutschen Film basiert sehr lose auf Motiven aus dem Märchen Die Schneekönigin von Hans Christian Regie führten Chris Buck Tarzan Könige der Wellen und Jennifer Lee
Frozen Shoulder – Wikipedia ~ Als Frozen Shoulder englisch gefrorene Schulter – Syn schmerzhafte Schultersteife adhäsive Kapsulitis DuplaySyndrom bezeichnet man eine weitgehende schmerzbedingte Aufhebung der Beweglichkeit des „schmerzhaften Schultersteife“ können die unterschiedlichsten Ursachen zugrunde liegen der Begriff beschreibt lediglich die klinische Tatsache der
Gefrorenes Frischplasma – Wikipedia ~ Gefrorenes Frischplasma GFP auch FFP von Frozen Plasma ist ein aus dem Plasma von Spenderblut gewonnenes schockgefrorenes Blutprodukt das die flüssigen und gelösten Bestandteile des Blutes enthält während die korpuskulären Bestandteile Zellen des Blutes Erythrozyten Leukozyten Thrombozyten durch Zentrifugieren weitgehend entfernt wurden
Charlie McDermott – Wikipedia ~ Leben Sein Filmdebüt gab McDermott 2004 in M Night Shyamalans MysteryThriller The Village – Das trat er in der Fernsehserie Windy Acres auf Während der Arbeit an der Serie lernte er den Regisseur Jay Craven kennen der ihn von seinem Filmprojekt Disappearances berichtete Nach einem intensiven Training und längeren CastingProzess erhielt er die Rolle des 14jährigen Wild
Sentenced – Wikipedia ~ Sentenced war eine finnische MetalBand die 1989 in Oulu gegründet wurde In der Anfangszeit spielte sie melodischen Death Metal später melancholischen Doom Metal schließlich entwickelte sie einen eigenen Stil der am ehesten als melancholischer gothicbeeinflusster Heavy Metal beschrieben werden kann
Melissa Leo – Wikipedia ~ Melissa Chessington Leo er 1960 in New York City ist eine USamerikanische Mitte der 1980er Jahre wirkte sie in über 80 Film und Fernsehproduktionen mit überwiegend in Dramen Für ihre Nebenrolle in dem Spielfilm The Fighter 2010 wurde sie unter anderem mit einem Oscar und einem Golden Globe ausgezeichnet
Jonathan Groff – Wikipedia ~ Leben Kindheit und Jugend Jonathan Groff der Sohn von Jim und Julie Groff wuchs in Ronks einer kleinen Landgemeinde in Lancaster County auf und besuchte bis 2003 die Conestoga Valley High School in Lancaster Nach seinem Schulabschluss zog er nach New York City um sich von dort aus eine Karriere als Schauspieler sich finanziell über Wasser halten zu können arbeitete er
PPSB – Wikipedia ~ Indikationen Blutungen unter Cumarintherapie Cumarine hemmen in der Leber die Produktion der von Vitamin K abhängigen Gerinnungsfaktoren um die stark gerinnungshemmende blutungsfördernde Wirkung der Cumarine schnellstmöglich aufzuheben ist die Gabe von PPSB indiziert VitaminKMangel wenn keine Zeit für die VitaminKSubstitution bleibt d h bei akuter Blutung oder dringlicher
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The Monk 2011 | |
Zeitdauer | 127 Augenblick |
Auslöse- | 2011-07-12 |
Qualität | FLV 720p VHSRip |
Buchgattung | Thriller |
Ausdrucksweise | Français |
castname | Harding B. Dior, Bryanna X. Addie, Amaiyah X. Israh |
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MK 30 – Wikipedia ~ Die MK 30 ist eine Maschinenkanone im Kaliber 30 Millimeter die ursprünglich von Mauser entwickelt wurde Nach der Übernahme von Mauser wird die Kanone vom Tochterunternehmen RWM GmbH Rheinmetall Waffe Munition des deutschen Unternehmens Rheinmetall Defence produziert Die Waffe verschießt das NATOStandardKaliber 30 × 173 mm für Maschinenkanonen
Check MK – Wikipedia ~ Geschichte CheckMK entstand ab dem Jahr 2008 als Agenten ersetzendes Shellskript für den Inetd und wurde im April 2009 unter der GPL veröffentlicht Komponenten Konfiguration Check Engine Anstelle der normalen NagiosKonfigurationsdateien tritt eine eigenständige Diensterkennung und Einstellungserzeugung
MK 103 – Wikipedia ~ Die Maschinenkanone MK 103 war eine Bordkanone im Kaliber 30 mm die von der deutschen Firma RheinmetallBorsig zur Zeit des Zweiten Weltkriegs entwickelt wurde und für den starren Einbau in Jagdund Schlachtflugzeugen vorgesehen war
Light Tank Mk VI – Wikipedia ~ Der Light Tank Mk VI ein britischer Panzer wurde von 1936 bis 1940 Typ wurde noch bis 1941 im Zweiten Weltkrieg von den britischen Truppen als Spähpanzer in Frankreich Ägypten auf Malta und bei der Besetzung Persiens eingesetzt Da diese leichtgepanzerten Fahrzeuge keine Chance gegen die gegnerischen deutschen Panzer hatten wurden sie ausgemustert und verschrottet
MK 108 – Wikipedia ~ Die Entwicklung der MK 108 begann im Jahr 1940 ohne staatlichen Auftrag bei der Firma Waffe war als schwere Bordwaffe für deutsche Jagdflugzeuge vorgesehen Eine Weiterentwicklung wurde von dem damaligen Generalluftzeugmeister Generaloberst Ernst Udet nach einer Vorführung des Prototyps verweigert Es kam erst nach dem Tod von Udet 1941 und der Forderung nach einer
Winkelspiegel – Wikipedia ~ Der Winkelspiegel ist ein um 360° drehbarer Beobachtungswinkelspiegel für Kampfpanzer der in der Zwischenkriegszeit von dem polnischen Ingenieur Rudolf Gundlach entwickelt wurde Er bietet einem Besatzungsmitglied – in der Regel dem Kommandanten – die Möglichkeit das Gefechtsfeld zu beobachten ohne den Panzerschutz verlassen zu müssen
Mazedonische Sprache – Wikipedia ~ Die mazedonische Sprache mazedonisch македонски јазик makedonski jazik auch makedonische Sprache und Slawomazedonisch ist eine Sprache aus der südslawischen Untergruppe der slawischen Sprachen die ihrerseits zu den indogermanischen Sprachen zählen Sie wird überwiegend in Nordmazedonien gesprochen Die dem Mazedonischen nächstverwandte Sprache ist das Bulgarische
Churchill Panzer – Wikipedia ~ Der Churchill oder Tank Infantry Mk IV A22 war ein schwerer britischer Sturmpanzer zur Infanterieunterstützung der ab 1942 im Zweiten Weltkrieg von Truppen des Commonwealth und der Sowjetunion eingesetzt wurde Der Fahrzeugtyp fand bis in den Koreakrieg Verwendung Der Panzer war nach dem Politiker Winston Churchill benannt
Westland Lynx – Wikipedia ~ Der Lynx englisch für Luchs wurde von Westland Aircraft heute AgustaWestland Bauserien Mk2 und Mk4 für die französischen Streitkräfte wurden gemeinsam mit Aérospatiale produziert Der Erstflug fand am 21 März 1971 statt die ersten Maschinen wurden im Jahr 1977 bei der British Army in Dienst gestellt Seit 1982 war er bei sämtlichen militärischen Konflikten
MagirusDeutz MKReihe – Wikipedia ~ Die MKReihe ist eine Familie von Nutzfahrzeugen die 1975 von dem deutschen Nutzfahrzeughersteller MagirusDeutz im Rahmen des sogenannten ViererClubs im unteren bis mittleren Nutzlastbereich auf den Markt gebracht wurde Im selben Jahr 1975 wurde MagirusDeutz in den neu geschaffenen IvecoKonzern eingegliedert der die Marke MagirusDeutz Anfang der 1980er Jahre einstellte die MKReihe
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Monpura 2009 online stream
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Monpura 2009 | |
Geltungsdauer | 188 Konzept |
Freigabe | 2009-02-13 |
Beschaffenheit | M4V 1440p BRRip |
Buchgattung | Romance |
Sprachfähigkeit | বাংলা |
castname | Apollon Y. Keren, Caisse Q. Léane, Megan Q. Conrad |
Monpura 2009 Ganzer Film
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Sand Castles 2016 | |
Geltungsdauer | 149 minuziös |
Aussetzung | 2016-02-16 |
Qualität | AVCHD 720p HDTV |
Buchgattung | Thriller, Crime, Drama |
Jargon | English |
castname | Colton O. Emilie, Hodges A. Ella, Leya Q. Fluet |
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The Legend of Tarzan 2016 | |
Geltungsdauer | 177 Augenblick |
Erlösung | 2016-06-29 |
Güte | FLV 720p WEBrip |
Gattung | Action, Adventure |
Ausdrucksweise | English |
castname | Luisa W. Natasa, Aspen B. Fleury, Maniche T. Leigham |
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**Yep, this is a different Tarzan, an updated one.**
Recently the Indian jungle boy, the live-action Mowgli film was made and so its time for Africa's. This is not a Disney film and that's one of the disappointments for the Tarzan fans. Because this film is for the grown-ups only. It is rated PG13, but still I don't think the children would enjoy it like they did for the recent 'The Jungle Book' film. So it is like a DC film, I mean, DC makes superhero films for the grown-ups, unlike Marvel's. The bottom line is, don't expect it to be like a Disney film. Like the director said before the release, this is not the Tarzan from your father, grandfather's era, but an updated one with strong graphic violence.
So the story skips all the Tarzan's earlier life like from his childhood to adulthood parts. The film commences with Tarzan being settled in the UK. It's the second half of the 19th century, where the European colonies in the Africa are expanding for its rich natural resources. So in the Congo savanna, the natives welcome Tarzan for his short visit, but the things get ugly when his wife, Jane was kidnapped. Now he must fight back for her safe return and also avert other threats in the region from the foreign power.
There are many CGI character films were made at the recent time, it is a trend, but not all of them are impressive. This film looked average when it comes to vfx. The story was acceptable, the performances were decent, the casting too not bad, but Samuel L. Jackson was completely useless. He's one of the greatest sidekick Hollywood ever produced, but I don't know why he's in this project, his role was very silly.
In other hand, Alexander Skarsgard was good in the lead character and so Margot Robbie as Jane. The action sequences were not good as I expected. The film had a good runtime, but in some parts, it was slow or maybe you can say nothing interesting thing happens. I liked the idea, to update the theme, but they should have given more focus on the story. I hope if they plan another film, it should be a prequel. Because I feel there's lots to learn about the past than going forward. This is a one time watchable film, there's no surprises, just plain and partially entertaining.
_6/10_
This was the most underwhelming Tarzan movie that I have ever seen. A typical product of some Hollywood producer trying to make a "modern" take of Tarzan not really knowing or caring for the Tarzan that Edgar Rice Burroughs created.
In particular it was the palest and most underwhelming Tarzan character yet. He never radiated the strength nor the intelligence that Edgar Rice Burroughs attributed to his character. He spent most of the movie going around with a bland look on his face.
The story itself is pretty much an out of the box standard Hollywood story about slavery and abuse of the black African population. Not truly bad but nothing to write home about either.
There is a lot of CGI in the movie and although quite a few reviewers seem to consider it bad I personally though it was pretty okay. One of the few decent bits of the movie.
I truly do not understand that they had the nerve to call this movie The Legend of Tarzan since it really is pretty far from the legend of Tarzan that Edgar Rice Burroughs created. This movie would perhaps have been okay as a one hour episode in a Tarzan TV-show but as a high budget feature movie it simply does not cut it. I was quite disappointed.
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Tuesday, January 30, 2018
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Keeper of Darkness 2015 | |
Dauer | 168 Augenblick |
Erlösung | 2015-11-26 |
Beschaffenheit | MPG 1080p HDTS |
Gattung | Horror |
Programmiersprache | 广州话 / 廣州話 |
castname | Ibrahem Q. Astijus, Adelle B. Sanav, Mathot D. Carlès |
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Harry Potter and the Deathly Hallows: Part 2 2011 online stream
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Harry Potter and the Deathly Hallows: Part 2 2011 | |
Zeitdauer | 153 peinlich genau |
Freigabe | 2011-07-07 |
Eigenschaft | Sonics-DDP 1080p VHSRip |
Genre | Family, Fantasy, Adventure |
Sprache | English, Español |
castname | Serine F. Chianna, Lyse F. Burnett, Gena A. Orion |
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Alcoholist 2017 online stream
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Alcoholist 2017 | |
Geltungsdauer | 166 sehr klein |
Erlösung | 2017-05-18 |
Beschaffenheit | Sonics-DDP 720p Blu-ray |
Genre | Drama, Thriller |
Fachsprache | English |
castname | Saphire T. Dafne, Moullet O. Naim, Misael T. Darell |
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The Grand Budapest Hotel 2014 online stream
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The Grand Budapest Hotel 2014 | |
Geltungsdauer | 147 minuziös |
Verzicht | 2014-02-26 |
Qualität | ASF 1080p Bluray |
Buchgattung | Comedy, Drama |
Programmiersprache | English, Français |
castname | Overall V. Pardeep, Caresse M. Eléa, Maëlie U. Emile |
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Yet another well crafter Wes Anderson's movie. Fiennes and Revolori perform well and the amount of well known actors and actresses is incredible but we have seen similar ways and scripts in his previous movies.
It's entertaining, though.
Wes Anderson's THE GRAND BUDAPEST HOTEL is the director's celebration of Central Europe culture and fashion in the years between the World Wars, and an elegy for what was lost with the rise of fascism and communism. Set in 1932 in a fictional country called Zubrowka, the streets, military regalia and (ersatz) German names we are shown could have come from anywhere between Germany and Estonia. Its protagonist Gustave H. (Ralph Fiennes) is a concierge at the eponymous luxury hotel, the splendour of which disappeared, we are told, with World War II. Gustave H. is known publicly as one of the best concierges in the business, able to dash around the hotel at lightning speed to satisfy the most varied guests of the elite clientele. Privately, he's a rake with a rather foul mouth, and fond of bedding the rich old women who patronize the establishment. When one of those old ladies, Madame Céline Villeneuve Desgoffe und Taxis (Tilda Swinton) dies and Gustave is framed for her murder, he must evade the law and unmask the true culprit, with the help of newly hired lobby boy Zero Mustafa (Tony Revolori).
The films of Wes Anderson are known for their immense visual detail, and THE GRAND BUDAPEST HOTEL is no exception. The elaborate framing of shots, the myriad cute items to look at on every set, and the architectural detail are like a diorama blown up to the big screen. Curiously, that visual detail is matched to a real slackness in the human characterization. Anderson has brought in a large number of actors he had worked with before, including Adrien Brody, Jeff Goldblum, Ed Norton, and Bill Murray, for roles that range from the main villain to little more than cameos. These characters are never fleshed out like Gustave H. or Zero Mustafa, and the actors don't even try to pass themselves off as Central Europeans from the entre deux guerres. Instead Adrien Brody plays Adrien Brody, etc.
There are two supporting roles that I felt were stronger. William Defoe plays a nearly mute henchman whose look is a nod to early vampire films (Transylvania was Central Europe, too). More remarkable is Harvey Keitel's turn as an old prisoner: when so many handsome leading men try to hide the effects of time after they enter their sunset years, 75-year-old Keitel was not afraid to show the ravages of old age here.
Unfortunately, I found the 21st-century Americans strutting about (and a few speaking in rough New York accents) in a historical drama to be jarring. I was also disappointed by the resort to Hollywood tropes here, when Anderson's earlier films managed to be very quirky and sui generis. For example, did we really need not just one scene where a character is hanging off a cliff's edge as the villain stands over him, but two? And the amount of plot details that are introduced but never really explained makes one feel that the work was subject to some heavy cuts to please a studio.
Still, if you liked Wes Anderson's earlier films, you'll find much to enjoy in his dollhouse approach, and it is amazing how every one of his films has a completely new and fresh visual theming even if his quasi-autistic obsession with prettiness never changes. Another thing I liked about the film is its "story within a story within a story". The entire plot of Gustave H. is, we are shown, taken from a fictionalized treatment by a writer who met a middle-aged Mustafa (F. Murray Abraham) in the 1960s. Befitting this novelistic layer -- and the work of Stefan Zweig that Anderson credits for inspiration -- this framing story is written in stilted, unrealistic dialogue like an old-time novel. And the aspect ratio changes for each layer of the film, a little treat for cinema anoraks.
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Mudstained Flower 2011 online stream
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Mudstained Flower 2011 | |
Zeitdauer | 115 minuziös |
Freistellung | 2011-03-23 |
Eigenschaft | AAF 1440p WEBrip |
Gattung | Drama |
Jargon | Español |
castname | Arthur S. Raeef, Fenn B. Suzy, Kalaya R. Ricky |
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Captain America: The First Avenger 2011 online stream
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Captain America: The First Avenger 2011 | |
Dauer | 131 Sitzungsprotokoll |
Freistellung | 2011-07-22 |
Qualität | M1V 1440p WEB-DL |
Genre | Action, Adventure, Science Fiction |
Sprachfähigkeit | Français, Norsk, English |
castname | Candice H. Roxane, Syedah M. Stokes, Nargis B. Elone |
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True to "Captain America," this is the modern (comic book) version of the All American movie. Good guys versus bad guys without a lot of ambiguity. _**NOTHING WRONG WITH THAT**_.
This movie is pretty much perfection for the genre. Entertaining A to Z story with high-end Hollywood professional movie making throughout.
**This is a long form review initially published in 2011:**
Though it ran at over two hours, I did feel that it had plenty of room to go further than it did. I honestly felt like Red Skull could have had a film all to himself, and actually kind of suffered for making him as intriguing as he was.
Chris Evans was an interesting choice as the titular role of Captain America, given that he's already played American sweetheart Marvel Super Hero "The Human Torch" in _Fantastic 4_ and _Fantastic 4: Rise of the Silver Surfer_. He didn't Oh-My-Gosh blow me away type-thing or what have you, but he was pretty great.
So far in the Marvel Cinematic Universe, I'd slot Captain America clean in the middle. I liked _Iron Man_ and _Thor_ more, but _Iron Man 2_ and _The Incredible Hulk_ less. Marvel Studios stated that the movie they wanted to make was set in the 40's, even though the rest of Marvel Cinematic is modern-day. This was 100% the right move to make, why? Not because of the setting, aesthetics or direction, but because it's fuckin' smart. How do you have the world appreciate an Uncle-Sam loving upper-middle class white male military blindly-loyal patriot? You make him fight the God damn Nazis, that's how.
It may seem strange, but I actually enjoyed the opening of _Captain America_ the most, which he spends a a meek, asthmatic Steve Rogers, yet to undergo the Deus Ex Machina Super Serum. It really showed the best of Evans acting ability, as well as the writing of Christopher Markus and Stephen McFeely whom together wrote _You Kill Me_ and The _The Chronicles of Narnia_ Trilogy.
I watched it in 3D, which was more bearable than usual. As the films of MCU progress, each of them becomes more and more a prequel to _The Avengers_, _Captain America_ being the most to date. Despite its almost-entire lack of _Avenger_ cameos, this more than previous films felt like a prequel for what's to come, which is not strictly speaking a good thing.
I had plenty of minor issues with _Captain America_, and though their was quite a number of them, all were minor, and ultimately, the only part of me that regrets watching it was the part that keeps thinking "My fucking God, I have to wait a YEAR before _Avengers_ comes out?!"
79%
-Gimly
PLOT
Steve Rogers, a scrawny young man, wants to enlist in the US Army and go overseas to fight in WWII. But his size and health means his attempts at enlistment always end the same way -- a 4F rating. Until a scientist sees him and recruits him to try out for a special training program to create a super soldier.
WHAT I LIKED
The Marvel universe sticks pretty close to classic script with him being given a serum that jacks his body into super muscle mode. He's already brave and smart, so it would seem like a no-brainer to send him overseas? But the guy in charge of his training doesn't want him, he's just one man, so Rogers ends up doing public relations back home. And he is quite shocked that the men overseas don't react as positively when they see him as the crowds back home. I really enjoyed the way they handle the first battle scene for him, basically him figuring things out as he goes, a far cry from his battle-hardened approaches later.
I even liked his interactions with Agent Carter. I had thought it would be more subtle than it was, and I hoped we'd see a bit more of her operating on her own (after all, they gave her character a whole series on TV!), but she was second fiddle to the hero.
WHAT I DIDN'T LIKE
The challenge with a lot of American movies of the war is that it is as if they are the only actors in the war, no allies, just them, and that level of nationalistic narrowmindedness is a bit grating. That may be a small gripe when the show is called CAPTAIN AMERICA, not CAPTAIN OF WORKING WITH ALLIES, but still, it's annoying. I also was disappointed there wasn't a lot more on Red Skull. His history, his abilities, other pursuits, all of it was left basically unreferenced. Sure, some of it shows up elsewhere in the Marvel universe, but a bit more crosswalk would have been nice. I felt he really wasn't that well-fleshed out as the uber villain he could have been.
THE BOTTOM LINE / TWEET
As an origin story, it lacks pizazz
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Monday, January 29, 2018
Indru Netru Naalai 2015 online stream
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Indru Netru Naalai 2015 | |
Zeitdauer | 152 winzig |
Freisetzung | 2015-06-26 |
Güte | DTS 1440p BRRip |
Buchgattung | Science Fiction, Comedy |
Jargon | தமிழ் |
castname | Nouvel Z. Brooks, Briand O. Asil, Antwan Q. Feron |
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A scientist (Arya) in the year 2065 invents a time machine and to prove its capability sends it back in time to 2015. However, the machine is seen by three persons in the past — Elango (Vishnu Vishal, solid), a young man who is finding it hard to catch a break, his friend Pulivetti Arumugam (Karunakaran, whose quips keep you in splits), a pretend astrologer, and Giridhara Parthasarathy (TM Karthik, equal part crazy and funny), a inventor. The three are involved in a minor accident and they witness the time machine appearing out of thin air while they are recovering from the shock. While Parthasarathy plans to keep it to himself, he ends up in a coma and Elango and Arumugam use the machine to further the latter's astrology business. They recover things that have been lost by people by going back in time but do so under the guise of astrology. However, during one such excursion into the past, they meddle more than necessary and this prevents the death of Kuzhandaivelu (Ravi Shankar), a gangster and extortionist, who is actually tragetting Rajarathinam (Jayaprakash), the father of Elango's girlfriend Anu (Mia George). Soon, things begin to spiral out of control and their lives become living hell.
Time travel movies can be a lot of fun and that is something that debutant director Ravikumar seems to have realized straightaway. There is a lot of humour in Indru Netru Naalai, and much of it comes out organically — the comedy scenes are very much part of the plot. That is why the early trips that Elango and Arumugam take in the time machine have a touch of humour about them. After hearing on the news that gold prices have shot up, the two friends journey back in time to the pre-Independence era, pick up a lot of jewellery and when they pay the jeweller in modern-day currency, he returns it to them saying, "Velinaattu kaasu ellaam naan vaangarathilla." It is only then that it strikes them that contemporary currency will not have any value in the past.
This is something that we must have all, at one point or the other, fantasized about — how we could become super rich if we could go back in time and invest in things when they were cheaper. It is such relatable moments that make the film and the concept easily accessible to us. Time travel movies can easily become a mindbenders but here, there is always clarity in the screenplay — though, sometimes, at the cost of brevity. And these moments are really fascinating; in one song, Elango takes Anu through moments from her childhood and at one point, she ends up kissing herself when she was a newborn baby! Yes, it is a slightly illogical moment but it is also a deeply touching one. The scene in which Elango, Arumugam and Parthasarathy chance upon the time machine is presented in thrilling fashion. And the fact that the friends decide to use Arumugam's profession as a camouflage to use the machine (in one cheeky scene, a person requests them to find the missing Malaysian airplane!) and make money is a masterstroke — that rare instance when astrology is actually science. And, the visual effects are not tacky and we readily suspend our disbelief during the time travel scenes.
But in the second half, the wonder of time travel is used to tell a cliched gangster tale. The whole episode where Elango and Rajarathinam seek the help of Kuzhandaivelu's mentor and rival feels unnecessary given how little impact it has on the plot. The film is also a little short on energy — yes, we laugh at the jokes, wonder at the science and care for the characters but the narrative lacks pep in places making the film a tad overlong.
> Time travel is such a magic, it also involves great tragic.
One of the proofs that Indian films are getting better every year. Very soon it will be placed next to the Hollywood, ahead of European, Japanese, Korean for sure when it comes to international revenue. Because there's fierce competition between Bollywood, Kollywood, Tollywood, Mollywood and many more. Not only among the filmmakers, but fanbase/followers as well.
It is happening because of the younger generation. While they are experimenting and propelling to the future, the senior filmmakers and artists are wasting their reputation for mindless commercial films which is only moving backwards. It's time for non-Indians to learn about other than Bollywood and I also hate when people call all the Indian movies Bollywood.
> When the time is not matter, everything is possible.
While 'Endhiran' making its debut, they said it will ignite the sci-fi era in Indian cinema. Half a decade has passed and of course, some films came, but this is the major time travel movie I have ever seen in the Tamil language. Though, it was a B category movie. Because the cast has no major star values other than in the local market and it was directed by an incoming filmmaker. I think it was well written screenplay, it was not an intelligent, but easily understandable by everyone. I mean even by the older and rural people.
Time travel is not new in Indian films, but very very least explored theme. It did not waste time to explain the rules and mechanism from the basics, I think because of familiarity with Hollywood flicks among Indian audience. But still keeps a very simple story and due to layers in time (not the story), looks a little muddle. Not easy to predict, but feels like missed by a very close to fingertip.
All in his movie, Vishnu has done a wonderful job, but only a couple of films were somewhat widely recognised. Mainly because of the low cost movies and failed to promote, in another way to say, filmfestivel movies. Yet another similar outcome from this one which should have helped him to rise, but did not. He is a best all-rounder in the CCL's Rhino, hope his day will come as an actor well.
> "Telling a girl and posting on facebook is the same."
The other actor, Karunakaran was also excellent. He was the comedian and the sidekick before this film, but in here he one of the two leads. Like I always say, the songs are the drawback in Indian films and in this film they did not completely discarded, but reduced the numbers by around 50 per cent. The good thing is, all the songs were with the story, not some unnecessary drag to the outside of the topic.
Fantastic visuals, the standards were pared with any major English movies. But the graphics are what, only the time machine and the rest were story with human characters. The first hour was so fun and romantic, and the remaining hour was a thriller that keeps picking the pace till the final battle. Overall a two hour movie, definitely short and sweet as an Indian film.
I liked everything in the movie, from an attempt to make this experimental movie for the first time to production quality and performances. But, other than the songs, without the romance track in the narration, still feels impossible to survive its own as a perfect sci-fi-thriller. Excluding a few minor flaws from the movie, this is a very good film considering a low-budget Tamil movie.
I have heard (might be rumours) there's a possible for a sequel and this time the guest actor, Arya will be making his presence in a full fledged role. It must happen, because it was a brilliant narrative that can go up to become a trilogy. Especially his star value would make the franchise reach every corner. For those who want to see it, I remind don't anticipate like of Hollywood, British films. For Indian standards, it was a much better than nonsense masala films. Highly recommended, if you have not tasted Kollywood yet, it might be a better one to begin with.
9/10
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